Friday 12 June, 20:00

Choral Pop Vocalyse

Vocalyse brings together ninety choristers and four professional musicians in a celebration of the Beatles’ songbook. The pop choir reimagines familiar hits through vibrant arrangements, rich vocal harmonies and dynamic staging that blend choral discipline with pop energy. Supporting performances by Zeband and Les Hotpot (advanced classes of Catalyse) open the evening, offering a contrast of trained ensembles and student-driven projects. The programme focuses on collective voice and theatrical delivery.

Rue de la Chapelle,
8, Switzerland
Photo Credit: DR
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Photo Credit: DR

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Friday 12 June, 20:00

Nearly 250 pupils from École primaire de Geisendorf join 170 musicians of the Harmonie des Cadets in a communal concert that gathers almost 400 young performers. Under the musical direction of Pierre Lanfrey, Raphaël Hugon and Stilver Segando, with Christophe Zimmermann leading percussion and Marion Fontana directing the Geisendorf choir, the programme blends youthful voices and wind ensemble sonorities. The staging favours vibrant textures, dynamic contrasts and a celebratory, tightly-knit sound that highlights community and musical apprenticeship.

21 May – 13 June

Mariés au premier ringard is a sharp, character-driven theatrical comedy that dissects the absurdities of modern relationships with warmth and irony. The staging favors close ensemble interaction, a lean scenography and precise lighting that underline shifting loyalties and comic misunderstandings. Moments of tenderness puncture the satire, inviting reflection on intimacy, identity and the small rituals of coupling. It balances humour and poignancy to produce a lively theatrical pulse.

In French.

Friday 12 June, 19:00

Created and performed by Leila Moon, this audiovisual piece investigates the nearly forgotten meddahates, a women-led musical and narrative practice from Algeria. Drawing on Moon’s Deep Dive into Meddahates research — field interviews and archival recordings — the performance interweaves sung material and oral narration with electronic textures.

The work foregrounds memory, communal storytelling and acts of resistance, offering an intimate, archival atmosphere that bridges past and present while highlighting female voices and cultural transmission.

10 – 13 June

“Wasted Land” by Ntando Cele at the Maison Saint-Gervais combines song, music, dance, and multimedia to tackle the climate crisis. The performance shifts between dynamic and contemplative multidisciplinary sequences, highlighting the destruction wrought by fast fashion and the often hypocritical ecological responses, contrasting impoverished nations with Western powers.

12 – 13 June

Returning to the stage, Carlos Martinez offers an intimate homage to the art of mime and to the audiences who accompanied his career. The evening’s opening is a journey through memory: a man revisits a place that shaped his life and discovers objects that are more than mere things, holding the traces of the past and opening spaces of imagination. Through precise, silent gestures and poetic tableaux, Martinez transforms objects into storytellers, exploring origin, time and heritage while celebrating how art endures.

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