Created and performed by Julian Vogel and written and staged by Roman Müller and Julian Vogel, Ceramic Circus is a solo circus piece conceived like a musical composition. On a circular stage Vogel pedals and skates around a swinging ceramic sphere, layering the crash of plates, drum rolls and rhythmic loops. The staging balances virtuosity and fragility, where feats and deliberate clumsiness create a tense, poetic atmosphere.
Interstices gathers music, conversation and cross-cultural exchange, exploring interculturality through concerts, workshops, conferences and roundtables. Featuring a special guest trio from Rajasthan led by Asin Khan Langa — Aga Khan Music Awards 2022 laureate — the programme moves between intimate acoustic textures and energetic dance rhythms. Collaborative panels with cultural partners investigate music’s role amid contemporary tensions. The overall staging favors attentive listening, layered sonorities and moments of reflection that invite immersion and emotional resonance.
In French.
Two duos meet in an evening of intergenerational jazz dialogue. Alfio Origlio (piano), acclaimed for a vast discography, pairs with Swiss drummer Marc‑Olivier Savoy to move between jazz, classical references and spontaneous improvisation. The Klopfenstein brothers—Mattias (sax) and Pablo (p)—bring youthful energy and tight familial interplay. Together the programmes balance tradition and exploration, weaving lyrical saxophone lines, rhythmic openness and intimate dynamics that invite close listening and a sense of shared musical freedom.
Lilly Wood and The Prick return with a set focused on songs from their new album Christina. The French duo blends pop, folk and electronic textures around English-language lyrics, pairing gritty guitar and catchy hooks with intimate vocal interplay. On stage they shift from reflective ballads to high-energy anthems, sculpted by dynamic arrangements and luminous soundscapes, creating a charged, immediate atmosphere that balances raw energy and poignant melody.
Amour(s) is a production by Compagnie lesArts that delves into the various dimensions of love through testimonies, stories, and writings. Directed by Tony Romaniello, this collaborative creation combines documentary theater with performances by Laurent Baier, Christian Baumann, and Stella Giuliani. The set design is by Célia Zanghi, with lighting design and management by Yannis Marti.
In French.
Directed by Gloria Grossrieder and Anne Probst, Nelly is a light operetta by Marcel Lattès that mixes romance and mistaken identities. The company’s ensemble — including Hannah Butterworth, Christophe Bitar and Gloria Grossrieder — is supported by a full orchestra under the direction of Maximilien Estrampes. Alice Tchamkerten’s sets and Alicia Roch’s costumes shape a stylish, period-tinted world, while Vincent Miche’s lighting accentuates the comedy’s playful rhythms and coquettish charm.
In French.
Lapin Lapin is a compassionate comedy that follows a large, eccentric family living in extreme poverty. Directed by Sarah Marcuse, the staging centers on Mama Lapin’s courage and optimism. Through rocambolesque episodes, the piece blends sharp social critique with warm humour and resilient affection. Khaled Khoury’s scenography and Loane Ruga’s lighting shape an intimate, expressive world, while an ensemble cast delivers vivid, tender performances.
In French.
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