Seventeenth-century painter Hendrick Bloemaert explores how antiquity shaped Dutch visual culture. Through oil on canvas portraits and history scenes, Bloemaert merges classical myth with striking realism, balancing idealised themes and everyday detail. His mastery of light, texture and fine draughtsmanship reflects the dynamism of the Dutch Golden Age, where artists reinterpreted ancient subjects to probe human character, moral reflection and pictorial innovation.
Zoe A. Keller and Batia Suter present a collaborative project that reframes the Eranos archives—about 3,000 archetypal images compiled by Olga Fröbe-Kapteyn and held at the Warburg Institute—as material for critical and photographic inquiry.
Taking the form of a critical essay and a photographic installation, the work questions and re-signifies these images, confronting their entanglement with universalist and violent ideologies. The artists propose the notion of the ‘anarchétype’ to reveal archetypal figures as unstable cultural constellations.
Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.
This exhibition assembles objects old and new, from video games and pop culture gadgets to robots like the Omnibot 2000, Daruma statuettes and various oracles. Presented as a cabinet of curiosities, it probes beliefs, technological imaginaries and our relationship to progress. The displays offer strategies for dialoguing with the future, showcase artistic works imagining desirable futures and explore possible developments conceived locally. Content is aimed at ages 8 to 108.
Opening : Wednesday, May 6 at 16:00
Curator-led tours (In French) : 9 – 10 May, 14 June
Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.
The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.
Opening during Nuit des Bains, Thursday 12 March, 18:00.
Naturæ brings together works by Silvia Bächli, Erik Bulatov, Jean Crotti, Franz Gertsch, Fabrice Gygi, Alex Hanimann, Alain Huck, Claudio Moser, Leanne Picthall and Melissa Steckbauer. Through a diversity of practices and generations, this group exhibition explores different artistic approaches to the natural world and its representation.
Opening during the Nuit des Bains, Thursday 12 March, 18:00.
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