Seventeenth-century painter Hendrick Bloemaert explores how antiquity shaped Dutch visual culture. Through oil on canvas portraits and history scenes, Bloemaert merges classical myth with striking realism, balancing idealised themes and everyday detail. His mastery of light, texture and fine draughtsmanship reflects the dynamism of the Dutch Golden Age, where artists reinterpreted ancient subjects to probe human character, moral reflection and pictorial innovation.
The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.
French photographer Chloé Azzopardi presents a speculative photographic project that imagines alternative modes of cohabitation with the living. Composed from gathered natural elements, her “non technological devices” mimic everyday technological objects while operating as prosthetic extensions and obstructions. Between rudimentary craft and science‑fiction, these hybrid artefacts and newly invented objects propose an iconography of ecological self‑defence and generate visual resources for collective imaginaries.
Fertile Hybridations explores the many forms of encounters and interweavings between humans, non-humans, knowledge systems, and temporalities.
Visitors are invited to inhabit the space, to question, to connect with these artist-researchers and designers, and—like them—to attempt to engage in dialogue and move beyond anthropocentrism, the idea that humans are at the center of everything. Instead, the exhibition encourages recognizing forms of intelligence or agency in other species, and building new relationships and exchanges.
Through this evolving exhibition, enriched by the intersection of art, design, and science, HiFlow becomes a living laboratory—a space for fertile alliances…
Meeting: Tuesday 16 June, 9:00 – 13:00 (in French)
Alice Izzo presents Botanic Circus, an immersive installation that transforms natural elements into a poetic visual performance. Through site-specific sculptural forms, coloured assemblies of flowers, plants and fruit become staged protagonists, inviting slow wandering, close observation and tactile interaction. The work blends installation, painted surfaces and ephemeral botanical assemblage to probe nature’s textures, theatricality and human perception. A parallel programme of monthly acrylic painting workshops complements the installation.
Isabelle Perez constructs a contemporary bestiary of the human soul. Her hybrid figures — at the intersection of myth and animality — probe metamorphosis, instinct and memory. Through paintings, drawings, engravings and sculptures, Perez stages bodies that mirror inner myths and primal impulses. The work examines the fragile boundary between human and animal, and the broader human relationship to nature, seeking poetic and anthropological resonances that invite introspection rather than easy identification.
Opening reception on Friday, May 8th at 6:30 pm
The artist will be present on Saturdays and Sundays
Yvan Salomone presents a series of recent watercolours that transform anonymous buildings and soulless industrial sites into evocative landscapes. Through delicate, velvety tones, subtle colour modulations and watery traces that suggest life, the artist elevates banal subjects and transfigures objective reality. The exhibition’s title, 2611, alludes to Salomone’s practice of assigning eleven‑letter titles composed from the alphabet, producing names that detach the work from literal description and invite poetic reading.
Opening: Thursday 7 May , 16:00
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