Sébastien Tellier, the eccentric icon of the electro-pop scene, is set to perform at the Alhambra as part of the Antigel Festival. Famous for hits like “La ritournelle” and “Divine”, Tellier returns with an exciting new album, “Kiss The Beast”, signaling a move back to pop after his experimental ventures.
Adapted and performed by Felipe Castro, this solo staging probes the absurdity of war, murderous nationalism and the raw misery at the heart of Céline’s writing. Coach José Lillo supports a performance of muscular, visceral language while Natacha Jaquerod’s set, Rinaldo Del Boca’s lighting and Jean Faravel’s sound sculpt stark, claustrophobic atmospheres. The production balances brutal imagery with moments of surprising humanity, revealing the author’s vocation as a doctor through an intimate, relentless theatrical journey.
In French.
Artistic direction by Cédric Pescia frames a collective traversal of György Kurtág’s landmark piano cycle Játékok, performed by students and young pianists from HEM, CMG, CPMDT, IJD and pre‑college programmes. The cycle presents Books I–X alongside the world premiere of the unpublished Book XI, a sequence of miniatures that are playful yet exacting. The repertoire explores gesture, texture and concentrated musical language, creating an intimate sonic landscape that balances delicate detail with sudden bursts of intensity. Presented for Kurtág’s centenary and CMG’s 190th anniversary.
Directed by Joël Maillard and adapted from Nina Yargekov’s novel, Double nationalité is a choral theatrical investigation into identity and its contradictions. Four actresses — Cécile Goussard, Mélina Martin, Alicia Packer and Marie Ripoll — embody a single heroine and the chorus of her inner thoughts, navigating bilingual disorientation, memory and fantasy. Mélissa Rouvinet’s scenography, Antoine Françoise’s music and Édouard Hügli’s lighting create a dreamlike, often sharp atmosphere. Production by Cie SNAUT; costumes by Coralie Chauvin and sound by Cédric Simon.
In French.
Ghostwoman is a Canadian duo reviving the spirit of Americana with vintage-modern textures, garage lines and psychedelic atmospheres. Led by multi-instrumentalist Evan Uschenko and joined by drummer Ille van Dessel, their music blends lo-fi grit, grunge intensity and post‑apocalyptic themes into cinematic songs conceived for the stage. Their album Welcome to the Civilized World channels wide-open road imagery and stark, melancholic melodies, offering an evocative, immersive live experience.
Quiet Man is a rising figure in British folk whose airy arrangements and hypnotic voice invite introspective listening. Originating from London and based in Glasgow, he is known for minimalist, emotive songwriting that blends fragile melodies with intimate textures. Having opened for Fred Again.., Medium Build and Harrison Storm across the UK and Ireland, his debut EP Oversensitive (2025) earned BBC attention and established him as one to watch on the contemporary folk scene.
Under the baton of Eun Sun Kim, violinist Frank Peter Zimmermann will join the Orchestre de la Suisse Romande (OSR) for a concert at Victoria Hall. The program features Mendelssohn’s “Hebrides” Overture, Frank Martin’s “Concerto for Violin and Orchestra,” and Beethoven’s iconic “Symphony No. 5.” This evening offers a captivating journey through pieces that evoke nature, enchantment, and dramatic power, with a total duration of about 1 hour and 40 minutes, including an intermission.
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