Thursday 12 February, 20:00

ADN Baroque

Performances

Booking Required

Théophile Alexandre blends voice and movement in a stripped-back, vibrant baroque creation that fuses early music with contemporary dance. As singer and dancer he delivers a powerful, singular performance, shaped by Jean-Claude Gallotta’s choreography and Guillaume Vincent’s piano. Twenty-one finely honed pieces unfold like the 21 grams of the soul, where music becomes flesh and gesture turns into melody. Between well-known masterpieces and forgotten treasures, the production offers an intimate, organic journey through human emotions, delicate and intense.

Place du Lignon 16,
1219 Le Lignon

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28 January – 13 February

Séduction

Performances

Théâtre du Grütli

After spending six years in prison, a solitary con artist embarks on a journey of reintegration. Suddenly, a woman claiming to be his daughter appears, bringing up a missing sum of money, a cult, and an heiress tied to wartime exploitation. With the support of a therapist who was involved throughout his incarceration, the characters delve into a world of deception, identity quests, and shared guilt. This existential thriller delves into the fragmented nature of reality and memory.

In French.

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Friday 6 February, 20:00

Pulse — Cie Kiaï

Performances

Salle du Lignon

Pulse is an acrobatic uppercut where breath, rhythm and bodies fuse into a spectacular trance. Created by Cie Kiaï, the piece propels six acrobats into a rebounding space where the laws of gravity seem to dissolve. Set to a hypnotic musical pulse, the performers lift, collide and vibrate in unison in a vertiginous choreography. The staging privileges sensory intensity, blending physical virtuosity, rhythmic precision and immersive soundscapes to deliver a visceral, kinetic experience.

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5 – 7 February

Trajal Harrell / Zürich Dance Ensemble — Caen Amour

Performances

Pavillon ADC

Choreographed by Trajal Harrell and performed by the Zürich Dance Ensemble, Caen Amour blurs the line between dance and runway, mixing representation with sharp cultural commentary. The piece draws on the late-19th-century hoochie-coochie and orientalist spectacle, reworking those flamboyant gestures into a transcultural odyssey. Costumes, music and lighting interplay to sculpt a theatrical, sensual atmosphere where movement, pageantry and critique collide, inviting reflection on performance, identity and spectacle.

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21 January – 7 February

Écho minéral

Performances

Théâtre du Grütli

Inspired by the accounts of women mountaineers, this performance intertwines mountaineering, feminism, and ecology. Two women, united against the elements, commemorate a vanished glacier, confronting fear and hope. The mountain emerges as a symbol of both endangered nature and the solidarity of humanity in need of rebuilding.

In French.

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Friday 6 February, 20:00

Antigel Festival – Marc Ribot Solo

Performances

Florimont

Marc Ribot, a restless guitar legend, delivers an incandescent solo set that fuses jazz and Latin influences into a singular sonic journey. A catalyst of sounds, Ribot has shaped entire musical worlds alongside Tom Waits, the Lounge Lizards and Jim Jarmusch, and his recent album Map of a Blue City (2025) further confirms his adventurous virtuosity. In concert his playing becomes an immersive exploration of texture, rhythm and melody, moving from tender intimacy to volcanic intensity.

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5 – 15 February

LETTRE À MON DICTATEUR

Performances

POCHE /GVE

Directed by Geneviève Pasquier and performed by Vincent Babel, LETTRE À MON DICTATEUR stages Eugène’s cathartic gesture of writing to Nicolae Ceauşescu. The production blends intimate monologue with archival echoes, folding fragments of Pierre Omer’s Swing Revue into a jazz-tinged score that punctuates memory and revelation. The creative space favors spare tableaux, tactile sound textures and a nimble rhythm that offsets historical weight with mischievous warmth, transforming personal trauma into a tender, witty coming-of-age confession.

In French.

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ADN Baroque