Des Femmes au cœur brut is a theatrical faux-conference by Fabrice Melquiot, directed by Julien Schmutz, that stages a playful yet incisive inquiry into women artists of Art Brut. Performers Aurélie Rayroud, Selvi Purro and Yves Jenny blend biographical testimonies, art-historical analysis and poetic flashes in a form that oscillates between investigation, simulacrum and farce. Jasmine Morand’s movement direction shapes physical surprises while the ensemble navigates intimacy, humor and critical reflection. Accessible to people with reduced mobility.

In French.

Performed by a deaf artist, this solo explores little-known connections between women and diverse tattoo cultures through a choreographic writing that rethinks sound and music. Tattooing becomes memory, mark and a bodily language, revealing stories previously unheard. The piece blends movement, visual composition and tactile registers to invite a different way of seeing and feeling, offering an intimate, embodied reflection on identity, memory and cultural traces.

Scène Active is a collective theatre creation led by a cohort of young participants who build a performance from the ground up. The ensemble conceives characters, writes the text, and shapes scenography, music, songs, visuals and choreography to express their visions, dreams and rebellions. Rooted in social participation and artistic mentorship, the project supports personal and professional development while privileging collaborative practice, risk-taking and honest, urgent storytelling.

In French.