Brazilian-French artist Flavia Coelho presents an intimate musical performance that weaves songs and personal storytelling. With fiery charm and contagious passion she traces her journey between Brazil and France, blending childhood memories, struggles and joyful moments into a warm, evocative set. Accompanied on piano by Victor Vagh-Weinmann, the show celebrates cultural diversity and the emotional power of music, inviting the audience into a luminous, heartfelt experience.

Directed by Coline Garcia, Hyperboles brings circus into the urban world of skateboarding through the feminist lens of company SCoM. Performers — circus artists and skaters from diverse backgrounds — explore gestures, bodies and social narratives while a mobile set shifts between apparatus and modular skate features. Athletic feats are reframed as social inquiry, drawing new lines of play, risk and encounter. The staging is physical, inventive and intimate, inviting reflection on women’s place in these cultures.

Ordalie, directed by Nicolas Chapoulier and presented by La Compagnie Les 3 points de suspension, explores adolescence through voices collected in a high school. Anonymous interviews with pupils, teachers, the headmistress, CPE and a psychologist are captured, transformed and performed by four actors in a staging where identities shift and ages blur. The piece moves between intimacy and otherness, negotiating discomfort with a tone that is at once comic, tender and fragile.

In French.

Choreographed by Laura Lamy and Tristan Robilliard, Partition unfolds through the spiral training technique they teach across Europe. Rooted in spinal rotation, relation to the floor and gravity, and coordinated interaction with partners, space and rhythm, the piece explores the body’s power and vulnerability. Performed by five dancers (casting ongoing), with music by Thomas Trichet and lighting by Nicolas Galland. Produced by Resodancer Company in coproduction with Théâtre François Ponsard and La Manufacture, Aurillac.

Édouard Ferlet revisits The Köln Concert, the best‑selling piano album born from Keith Jarrett’s spontaneous live improvisation fifty years ago. On stage he re-examines the record’s themes alongside a second piano driven by a bespoke artificial intelligence, probing the relationship between improvisation and machine learning. The programme blends improvisatory dialogue, delicate pianistic textures and technological experiment to explore how creativity and learning intersect. Presented on an original idea from Printemps de Bourges, in coproduction with Bourges 2028.