Wednesday 21 October, 21:00

Preview: Hope — Na Hong-Jin

Na Hong-Jin’s Hope plunges a remote mountain village into escalating dread after mysterious attacks sever communication and outside aid. Alternating tense set-pieces and intimate character moments, the director blends operatic horror with rigorous social observation. As some defend the settlement while others venture into the mountain and disappear, ignorance and panic spiral toward devastating consequences. Lauded at Cannes 2026 for its ferocious imagination, Hope is a visceral, atmospherically charged examination of fear and community under siege.

Korean with French subtitles.

Rue du Général-DUFOUR 16,
1204 Genève
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Photo Credit: DR

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19 – 23 October

Lucy lives with her family on a small isolated island, where her extraordinary gifts provoke suspicion and rejection. When she meets Milly — a little girl only Lucy can see — she sets off on a poignant adventure to unravel the mystery of her powers. Told with a lyrical, intimate eye, the film explores themes of belonging, otherness and the fragile border between imagination and reality, using windswept landscapes and close, expressive images to evoke mood and emotional truth.

In French.

14 September – 7 December

Founded in Geneva in 1951 by cinema enthusiasts including Alain Tanner and Claude Goretta, the Ciné-club universitaire de Genève (CCU) has spent 75 years bringing audiences together around singular films and shared discoveries.

To celebrate its 75th anniversary, the CCU looks back across more than seven decades of cinema with a programme of 30 films spanning continents, genres, generations and perspectives — while looking towards the future of the seventh art.

Thursday 22 October, 20:30

Apichatpong Weerasethakul’s Palme d’Or–winning film follows an ailing uncle who withdraws to the countryside surrounded by family. In his final hours he is visited by spectral beings and memories that prompt a gentle revisiting of his life and past incarnations. Blending quotidian realism with moments of the uncanny, the film unfolds as a contemplative meditation on time, memory and the porous borders between the living, the dead and the natural world, rendered in a spacious, lyrical cinematic language.

Thai with French subtitles.

Saturday 24 October, 16:00

Eyal Sivan’s Route 181, second instalment ‘Centre’, follows a journey from Lod to Jerusalem across neighborhoods facing demolition, ruined villages, military courts and checkpoints. Through intimate encounters and archival reflection, the film confronts memories of expulsion, migratory narratives and the daily reality of occupation. Shot with documentary rigour and a poetic, investigative gaze, it weaves personal testimony and historical inquiry into a lucid, emotionally charged portrait of contested belonging and memory. Original version with French subtitles.

Screening followed by a discussion with director Eyal Sivan.

24 October – 22 May

Cinéopéras gathers four film evenings curated by artists from the season, each screening chosen in dialogue with the selector’s artistic universe. Curators Kyle Abraham, Krzysztof Warlikowski, Marie-Ève Signeyrole and Philippe Jaroussky present works that trace convergences between music, theatre, choreography and cinematic form. The programme favors striking visual textures, intimate soundscapes and performances that blur stage and screen, inviting a reflective, sensory encounter with film as a living, interpretive art.

Sunday 25 October, 18:00

Věra Chytilová’s two-screening offers a glimpse into a pioneering voice of the Czechoslovak New Wave. Her films juxtapose sharp social observation with inventive, often playful formal experiments, disrupting narrative expectations. Through striking images and rhythms, they probe gender, power and the absurdities of everyday life, balancing dark humour with moral urgency. The program highlights Chytilová’s singular visual energy and critical gaze, inviting reflection on cinema’s capacity to question society and form.

In Czech with French subtitles. Screening will be followed by a discussion with the documentary filmmaker Stéphanie Barbey and moderated by Charlotte Ducos.

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