Now in its fifth edition, the Estival de la Cour des Hutins brings together emerging and established local bands for two days of summer concerts. The lineup mixes indie, rock and electronic flavours, including Katavia, Prune, Lyosun, Emy No Joke, The Resylients, Don’t Kill The Cow and The Hoods Off. Expect energetic sets, a communal outdoor atmosphere and improvised musical moments that showcase Geneva’s grassroots scene.
Presented as a season manifesto, Les Racines du Ciel is a reflective text by Eric Devanthéry that probes the weight of words and collective imaginaries in an accelerated history. It frames the stage as both bulwark and site of shared, engaged human experience, calling to preserve margins against logics of productivity and control. The essay evokes the season’s diverse pieces — from À l’aune to Orlando — and insists on culture as necessity. A transcription and a SoundCloud excerpt accompany the text.
In French.
Mariés au premier ringard is a sharp, character-driven theatrical comedy that dissects the absurdities of modern relationships with warmth and irony. The staging favors close ensemble interaction, a lean scenography and precise lighting that underline shifting loyalties and comic misunderstandings. Moments of tenderness puncture the satire, inviting reflection on intimacy, identity and the small rituals of coupling. It balances humour and poignancy to produce a lively theatrical pulse.
In French.
Vocalyse brings together ninety choristers and four professional musicians in a celebration of the Beatles’ songbook. The pop choir reimagines familiar hits through vibrant arrangements, rich vocal harmonies and dynamic staging that blend choral discipline with pop energy. Supporting performances by Zeband and Les Hotpot (advanced classes of Catalyse) open the evening, offering a contrast of trained ensembles and student-driven projects. The programme focuses on collective voice and theatrical delivery.
Comedian Tania Dutel premieres a brand-new stand-up show that unveils fresh material and sharp observational humour. Her delivery blends caustic wit and warmth, moving from punchy one-liners to longer, confessional stories. The performance crafts an intimate, high-energy atmosphere where spontaneity and audience interplay shape the rhythm. Expect a concise, finely tuned set that highlights her voice as a storyteller and satirist.
In French.
Directed as an in situ promenade, this performance follows two protagonists, P. and B., through the city’s hidden seams. B. conspires to seed an exuberant vegetal uprising, mastering invasive plants to unsettle urban order. P. slips into the city’s blind spots, picking locks and slipping through barriers to reveal alternative ways of inhabiting public space. The show mixes physical theatre, poetic staging and ecological imagination to explore rewilding, intimacy and civic subversion.
In French.
Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.
In French.
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