Explore four contemporary galleries on a lively walking route through the gallery district. Led by professional guide Julie Zelenova, the tour invites close-looking at artworks and exchanges with gallery staff, uncovering artists’ practices and curatorial approaches. The promenade balances thoughtful viewing with a dynamic pace, offering an energetic, social way to experience current exhibitions and the neighbourhood’s creative pulse. Suitable for participants of all levels.
Curators Ghalas Charara and Rita Elhajj present a first collaborative exhibition that scrutinizes the collection through a shared, probing gaze. The presentation assembles works from the collection alongside archival materials and curatorial interventions, foregrounding fragments, indexes and ruptures.
It interrogates the ruinous logics of archives, the anxieties encoded in preservation, and the ways memory is displaced or exiled. The show stages dialogues between history, material traces and acts of remembrance.
Opening: Thursday 21 May, 18:00
The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.
Genevan artist Gérald Grosjean presents a focused series of paintings and handcrafted maquettes that examine industrial and railway landscapes. The show gathers twenty-seven canvases and three models made from reclaimed materials, emphasising a pointillist approach to structures such as stations, bridges, dams, factories and viaducts. Through meticulous dots and assembled found objects, Grosjean explores the aesthetic presence and collective memory of infrastructure, inviting reflection on material reuse and the visual poetry of engineered landscapes.
Opening : Tuesday 19 May, 18:00
Carolina Fontana presents Parallaxe, a first solo exhibition in Geneva featuring paintings from her recent Z·E·N series. Produced through contemplative travels across Swiss cantons, Spain and China, the canvases blend figurative motifs with abstract formations to evoke a transcendent, Zen-informed sensibility toward landscape and the sublime. The works emphasise delicate brushwork, layered surfaces and meditative composition, inviting sustained attention to process, rhythm and the poetic interplay between presence and absence.
Opening: Thursday 21 May, 18:00
Five Mini Shows presents distinct exhibitions across separate rooms, bringing together major figures of Australian Aboriginal painting alongside contemporary painting, installation, drawing and sculpture. Works by Clifford Possum Tjapaltjarri, Mirdidingkingathi Juwarnda Sally Gabori and Gabriella Possum Nungurrayi sit next to new and historical painting by John Armleder, expansive installations by Chiharu Shiota, sculptural interventions by Balint Zsako and drawing-based work by Rachel Marks. The programme explores materiality, relational display and dialogues between indigenous traditions and contemporary abstraction.
Opening: Thursday 21 May, 18:00
The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.
Opening during Nuit des Bains, Thursday 12 March, 18:00.
Performance Linda Bell (Nuit des Bains) : Thursday 21 May, 19:00
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