Marlène Charpentié conjures a strange papier-mâché garden in this hybrid performance that mixes theatre, clown and dance. Three figures — an obsessed drag-king, a heartbroken diva vampire and a queer Pierrot who tends fading, reviving flowers — share the stage without words. Between absurd humour and a critique of capitalism, the piece plays out like a cracked cabaret where material is worked live: objects are handled, transformed and revealed in a visceral, intimate exchange with the audience.
In French.
