7 – 15 July

Bellerive Festival

Bellerive Festival presents a programme of chamber and orchestral music exploring repertoire from Classical to late Romantic and early 20th-century voices. Evenings feature works by Beethoven, Dvořák, Schubert, Mahler and Mendelssohn alongside evocative programmes centred on Grieg, Tchaikovsky and American classics. A New York-themed matinée offers lighter, rhythmic contrasts. A concurrent photographic exhibition by Michel Juvet creates a visual dialogue with the music. The festival highlights refined ensemble playing, expressive phrasing and an intimate atmosphere.

Chemin de la Dame 67,
1245
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10 – 26 June

Claudine (j’aime pas l’bonheur) is a re-creation by Marjolaine Minot that probes the ambivalence of happiness through intimate theatrical language. The piece blends restrained physicality and lyrical monologue to map memory, longing and domestic disquiet. Minimal scenic devices and attentive sound design carve spaces of emotion, while a small ensemble negotiates shifts between humour and melancholy. The production favours fragile gestures and precise rhythms to evoke an uneasy, poetic atmosphere.

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Wednesday 17 June, 20:00

Ky‑Mani Marley blends reggae, hip‑hop, RnB and dancehall in a dynamic stage show rooted in his Jamaican heritage. He revisits anthems from his father Bob Marley alongside early recordings and more recent material, moving between soulful vocals, rhythmic grooves and spoken-word elements. A seasoned collaborator with international artists, Ky‑Mani delivers an energetic, genre-crossing performance that balances reverence for tradition with contemporary urban influences.

17 – 18 June

Directed by Oscar Gómez Mata and Bastien Semenzato, this staging brings together 16 young performers from La Manufacture’s promotion O to tackle Hamlet in its entirety. Combining tragic force with mordant, absurd humour, the piece explores how the past splashes into the present and how institutions unravel. Using the jeu bouffon — masks, exaggeration and the subversion of power — the ensemble shifts between farce, violent outbursts and intimate doubt as the prince teeters between thought and action.

In French.

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In French.

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