Friday 1 May, 20:30

Les P’tits Fils de Jeanine

Booking Required

Les P’tits Fils de Jeanine are a playful, irreverent multi-instrumental ensemble delivering a festive blend of balalaika, accordion, brass colours and theatrical improvisation. Their concert moves between raucous, danceable numbers and quieter, intimate passages, combining humorous staging with virtuoso musicianship. Celebrating their fifteenth anniversary, the group creates a warm, slightly mischievous atmosphere where folk timbres and brass textures collide, inviting the audience into an exuberant, theatrical sonic world.

In French.

Rue Vautier 13,
1227 Carouge

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Photo Credit: Michel Galarneau

1 – 2 May

Trois femmes au bord de la crise de mère

Performances

Uptown

Trois femmes au bord de la crise de mère is a poignant theatrical exploration of motherhood, identity and frustration. Through intimate dialogues and heightened physicality, the piece balances sharp humour with moments of quiet intensity. Sparse staging and focused lighting carve out private spaces that reveal hidden desires and generational tensions. The ensemble’s interactions shift between satire and tenderness, inviting reflection on daily labor, emotional limits and the resilient bonds that hold family life together.

In French.

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Friday 1 May, 19:00

À l’oreille de Madame Fox

Performances

Théâtre des Grottes

Set in Paris, 1897, this spiritist improvisation centres on Natalia Fox, a darkly sensual tarot reader and pendulum expert whose séances blur psychology and the uncanny. Each performance stages four intimate consultations for eccentric clients, letting improvisation shape revelations conjured by incense, whispered voices and flickering light. The show moves between sly comedy and unsettling insight, exploring fate, desire and the mechanics of belief while inviting the audience into a charged, sensory ritual.

In French.

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Friday 1 May, 20:30

Room 0: The Director’s Confessions

Performances

Théâtre des Grottes

Spiritist, improvisatory theatre that unfolds like a forbidden confession. In a bare room lit by pale light, a former asylum director faces the camera and speaks in a voice at once calm and unnerving. Memory, guilt and hallucination interlace as fragments of institutional history—erased files, unclaimed patients—resurface and unmake narrative coherence. The staging relies on sparse set and stark lighting to heighten claustrophobic intimacy, inviting a slow, disquieting immersion in the uncanny.

In French.

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21 April – 2 May

46 Rue de Berne

Performances

Théâtre des Amis

Directed by Françoise Courvoisier, this theatrical adaptation stages two periods of Grisélidis Réal’s life simultaneously, split between a dignified elder confronting illness and a vibrant earlier self. Martine Schambacher and Françoise Courvoisier embody these contrapuntal figures.

In French.

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1 – 10 May

Amour(s)

Performances

Théâtre le douze dix-huit

Amour(s) is a production by Compagnie lesArts that delves into the various dimensions of love through testimonies, stories, and writings. Directed by Tony Romaniello, this collaborative creation combines documentary theater with performances by Laurent Baier, Christian Baumann, and Stella Giuliani. The set design is by Célia Zanghi, with lighting design and management by Yannis Marti.

In French.

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28 April – 13 May

Hé, Prométhée !

Performances

Théâtre du Grütli

A solitary man ventures through the desert in search of Prometheus, blaming the gods for igniting a consuming fire within each human. This monologue delves into the connections between ancient tragedy and contemporary turmoil, examining desire and existence through the lenses of love and creation, all in pursuit of an illuminating fire that does not consume.

In French.

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Les P’tits Fils de Jeanine