Performed by six dancers and accompanied by a live musician, A l’aune invites a slow choreographic promenade through the re-vegetated spaces of the Aire. The work examines ecosystems, adaptability and interdependence via intimate group interactions and material, site-conscious movement. The staging cultivates close listening between bodies and sound, producing a tactile, contemplative atmosphere that reflects cycles of growth, decay and mutual care.
About the play
1942. France is under occupation. Seven friends gather to celebrate Sophie’s birthday—until two German officers are shot beneath their windows. Kaubach, a Nazi commander, forces the guests to make an unthinkable choice: to designate two hostages among themselves.
Thus begins a harrowing struggle for survival. By confronting the depths of human nature, the play invites us to question which side we would have chosen.
In French.
Directed by Jacques Gay, this vocal celebration gathers soloists Fabrice Coccitto and Thibaut Trouche, pianist Raphaëlle Farman and the Comédie Lyrique choir to traverse a repertoire spanning musical theatre, French variété and jazz. Selections range from Aznavour and Voulzy to Queen, ABBA and Sinatra, reimagined with warm ensemble singing and intimate piano textures. The staging favors close harmonies, rhythmic verve and nostalgic timbres, inviting listeners into a convivial yet nuanced sound world.
Chekhov’s Ivanov follows Nikolai Ivanov, a middling Russian landowner crushed by debt and by the slow decline of his wife, Anna Petrovna, who is dying of tuberculosis. Across four acts, his inertia curdles into melancholy and self-destruction, swinging between biting comedy and harrowing despair. Written in a ten-day burst in 1887, when Chekhov was only twenty-seven, the play crackles with youthful urgency as tragedy and humor intertwine.
Director–actor Jean-François Sivadier infuses this new staging with his distinctive theatrical energy, pairing veteran performers with fresh faces to reignite the play’s original heat. Echoing Gustav Mahler’s dictum that “tradition is not the worship of ashes, but the preservation of fire,” the production seeks to keep Chekhov’s raw, combustible spirit blazing on today’s stage.
In French. Ages 16 and up.
Based on the Jekyll myth, this theatrical adaptation examines metamorphosis as both physical and social, probing identity, gender and the boundary between good and male/female. Stark black-and-white staging and chiaroscuro lighting evoke twilight and old horror films, while a persistent, slicing fog thickens the atmosphere. The venerable Dr Jekyll’s unsettling experiments unfold in a late-19th-century London laboratory, and his circle is drawn into mounting anguish as transformations accelerate.
In French.
Co-created by Pascal Gravat and Julien Mages for Compagnie Revolver, “Nu Vite” (Naked Quickly) is a choreo-biography in which a dancer and an author probe time, ageing and the urgent need to seize each instant. The work blends intimate movement and written testimony, set to music by Pierce Warnecke with sound design by Clive Jenkins and lighting by Alessandra Domingues. The 75‑minute performance explores memory, bodily change and the delicate rhythm between presence and loss.
In French. Adults only (17+).
To conclude its season in style, GECA welcomes Sampa The Great, a Zambian hip-hop icon. Drawing inspiration from her roots in Zambia and Botswana, as well as her urban experiences in Africa, she electrifies audiences with bold lyrics and unique rhythms. The concert will also feature Tchaikovsky’s Fifth Symphony, conducted by David Greilsammer and featuring Nathan Vandenbulcke on drums.
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