23 January – 7 March

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Xippas

Curated by Matthias Sohr, Reserved for Groups brings together works by Florian Fouché, Mélody Lu, Xavier Robles de Medina, Orawan Arunrak, Florian Bonny, Stefania Carlotti, Chloé Delarue, Jean-Ulrick Désert, Marina Faust, Anne Duk Hee Jordan, Thomas Liu Le Lann, Pedro Marrero Fuenmayor, Lili Reynaud-Dewar, Kyung Roh Bannwart, Philipp Timischl, Ernie Wang, and Lauryn Youden. The exhibition explores subtle interventions within existing social and artistic contexts, presenting the artists’ work while making the gallery space more accessible.

Opening during the Nuit des Bains, Thursday 22 January, frpm 18:00.

Rue des Sablons 6,
1205 Geneva

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Saturday 31 January, 17:00 & 19:00

Anti-Nymphs — A Constellation of Blackness

Art & Exhibits

Centre d'Art Contemporain

Artist Josèfa Ntjam presents A Constellation of Blackness, a hypnotic 33-minute sound-performance that weaves spoken word and instrumental improvisation. Situated within the Anti-Nymphs program, the piece reimagines Greco‑Roman myth through feminist and Afrofuturist lenses, collaging sampled fragments of twentieth-century Black voices. Ntjam invokes African mythology, ancestral rites, religious symbolism and science fiction to explore Blackness, darkness, antimatter and the sense of cosmic kinship, creating a dense, ritualised atmosphere that is both lyrical and confrontational.

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22 January – 28 February

Glazed Realities

Art & Exhibits

espace-L

Glazed Realities is a group exhibition curated by Vasilis Zografos that examines contemporary ceramic practices as instruments of storytelling, experimentation and transformation. Featuring works by Nacoca Ko, Fernando de la Rocque, Jan Steenman, Heberth Sobral and Irene Venetsanou, the show foregrounds ceramic surfaces as carriers of memory, social narrative and perceptual ambiguity. Through glazing, texture and material manipulation the artists deploy sculpture and object-based installations to probe materiality, luminosity, fragility and the interplay between form and human experience.

Opening during La Nuit des Bains, Thursday 22 January, from 18:00.

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16 January – 7 March

Beat Zoderer – HAIKU

Art & Exhibits

Galerie lange+pult

Beat Zoderer’s first exhibition with lange + pult in Geneva presents a new series of works inspired by the economy of haiku. In these small-format pieces, the artist translates brevity, precision, and tension into the pictorial field through grids and modular patterns. Layered, translucent colors create subtle depth and shifting perceptions, while recurring square motifs generate a restrained yet vibrant rhythm. Rooted in concrete art, the series stands out for its quiet, almost meditative quality, where meaning emerges from the balance between form, color, and visual silence.

Opening on Thursday 15 January, from 18:00.

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4 December 2025 – 7 February 2026

John M. Armleder: Encore(s)

Art & Exhibits

Rue des Granges 13

John M. Armleder presents Encore(s), a display of his ancillary productions assembled in a space that mixes shop, domestic interior and tea-room. For over fifty years Armleder has developed a practice where art lives in relation to space, encounters and everyday life, blurring borders between artwork and decor, exhibition and situation. The project gathers objects, editions and collaborative creations — clothing, accessories, furniture and tableware — that transform use into sign. Most pieces are offered for sale, underscoring circulation and experimentation within his oeuvre.

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23 January – 28 February

Erik Bulatov – Hommage

Art & Exhibits

Skopia Art Contemporain

Following the passing of Erik Bulatov, Skopia Gallery presents Hommage, a tribute to the artist. The exhibition features a selection of his paintings, including works never before shown at the gallery, celebrating his influential career and artistic legacy.

Opening during the Nuit des Bains, Thursday 22 January, frpm 18:00.

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28 January – 15 March

Almost Tender

Art & Exhibits

Ferme de la Chapelle

Swiss artist Grégory Sugnaux presents a body of paintings that stage ambiguous, often hybrid figures—part human, part animal, serial androids and distorted, sometimes monstrous bodies. Combining grotesque allusion with ironic self-reflection, he mixes genres and pictorial techniques to render surfaces alternately smooth and vibrating, fracturing legibility.
A composed soundtrack threads through the installation, amplifying the exhibition’s uneasy pulsation. The works negotiate a fragile balance between fascination and self-critique, revealing vulnerability beneath playful, unsettling imagery.

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