17 – 23 November

Geneva International Jewish Film Festival (GIJFF)

Founded in 2011, the Geneva International Jewish Film Festival (GIJFF) presents a diverse selection of international films highlighting Jewish life, history, and culture. Through its annual festival and Holocaust education screenings, GIJFF enriches Geneva’s cultural landscape, offering audiences a unique opportunity to explore stories that foster understanding, reflection, and dialogue.

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September 2025 – June 2026

LES SŒURS LUMIÈRE, the feminist film club of the Bibliothèque Filigrane, returns to Les Cinémas du Grütli with a cycle of six screenings from September 2025 to June 2026. Dedicated to the courtroom drama, this new edition offers a feminist re-reading of the genre, highlighting the challenges women face when confronted with moral and repressive orders.

Program Details:

  • Saint Omer — Alice Diop, 2022 (France): Thursday 25 September 2025

  • Une part du ciel — Bénédicte Liénard, 2002 (Belgium/France): Thursday 13 November 2025

  • Anna Göldin – Dernière sorcière — Gertrud Pinkus, 1992 (Switzerland): Thursday 29 January 2026

  • Le Silence autour de Christine M. — Marleen Gorris, 1982 (Netherlands): Thursday 5 March 2026

  • L’Audition — Lisa Gerig, 2023 (Switzerland): Thursday 7 May 2026

  • Hannah Arendt — Margarethe von Trotta, 2012 (Germany): Thursday 18 June 2026

All screening at 20:30.

Thursday 5 March, 18:30

Co-authors Frédéric Wilner and Moataz Madi helm a probing documentary that follows the University of Geneva’s archaeological mission at Saqqâra. Their camera traces the unearthing of a tomb attributed to the vizier Ouni, raising questions about its ownership and purpose. The film blends measured investigative pacing with textured imagery of dust, stone and inscription, exploring themes of memory, legacy and the politics of archaeological narrative. Intimate interviews and revelatory finds create a contemplative, suspenseful atmosphere that foregrounds the human stories behind ancient monuments.

In French.

6 – 15 March

Since 2003, FIFDH has combined cinema with the promotion of human rights, presenting socially conscious films alongside debates and discussions that engage activists, journalists, artists, diplomats, and the public. Held across multiple venues in Geneva, including the UN, theaters, museums, and hospitals, the festival showcases feature films and documentaries that highlight human rights struggles worldwide, encouraging dialogue, reflection, and action. FIFDH has welcomed Nobel laureates, renowned filmmakers, and leading voices in activism, making it a unique platform where art and advocacy intersect.

Friday 6 March, 19:00

Curated as a cycle of five short works by Pauline Curnier Jardin, Maria Klonaris and Katherina Thomadaki, Laure Prouvost, Mathilde Rosier and Josèfa Ntjam, Anti-Nymphs stages feminist rereadings of Greco‑Roman myths. These video essays and experimental shorts foreground body metamorphosis—gender, age and vegetal transformations—centering non‑conforming female bodies that unsettle dominant imaginaries. Textural imagery, fragmentary rhythms and tactile close-ups create a liminal, often uncanny atmosphere. The program proposes a subversive mythography that remaps ancient figures through contemporary, bodily poetics.

Saturday 7 March, 18:30

Shaped by Soraya’s mobile-phone recordings, this intimate documentary follows a sixteen-year-old Afghan artist over five years as she attempts to flee Iran to join her mother in Austria. Blending handheld video, animation, drawings and sculpture, the film maps a journey of escape, song and improvised dance. It examines courage, gendered violence and the creative impulse as survival, rendered in raw textures and lyrical fragments. The result is a porous, sensory portrait of resistance and artistic self-creation.

In Persian/Dari/Turkish (original version), with French subtitles.

Screening followed by a discussion with filmmakers Mehrdad Oskouei & Soraya Akhlaghi.

Saturday 7 March, 15:00

A screening of Meloni Rising, which traces Giorgia Meloni’s rapid ascent and the normalisation of far-right politics in Italy, followed by a sharp debate asking how Europe can resist re-fascisation. Historians and activists unpack the forces hollowing out democracy—from attacks on civil rights to the erosion of the rule of law—through feminist, anti-racist and decolonial lenses.

Discussions are interpreted in English and French; the film is in French, Italian and English, with French and English subtitles.

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