Formed in Los Angeles in 2021, La Lom is a trio that turns the city’s diverse soundscape into a sun-drenched cumbia soundtrack. Combining cumbia sonidera with 1960s soul, romantic boleros and Peruvian chicha textures, guitar, bass and percussion weave cinematic, vintage-tinged grooves. The ensemble Zac Sokolow (guitar), Jake Faulkner (bass) and Nicholas Baker (percussion) released their debut self-titled album in 2024, revealing an infectious, filmic atmosphere.
Winter of Caecilia gathers seven local theatre productions that revisit contemporary and classic forms through monologue and solo performance. Artists such as Nastassja Tanner, Ahmed Belbachir, Roland Vouilloz and Vincent Jacquet offer intimate, visceral interpretations, while texts by playwrights like Fabrice Melquiot are brought to life under directors including Jean‑Yves Ruf. The programme mixes poetic, comic and physically charged pieces that privilege sensory staging and emotional immediacy, inviting audiences into distinct, singular theatrical universes.
In French.
Clarinetist and bandleader Thomas Winteler revisits the Hot Five repertoire in a spirited homage to Louis Armstrong and Sidney Bechet. Joined by Norwegian trumpeter Torstein Kubban, trombonist William Jaquemet, pianist Philippe Anhorn and drummer/bassist Jean‑François Gertsch, the quintet blends faithful traditional jazz phrasing with lively improvisation. The evening channels early jazz’s warmth and swing, with evocative solos, tight ensemble interplay and a rhythmic drive that honors the pioneers while injecting fresh energy and nuance into classic material.
Returning after two decades on the scene, Odezenne presents the Bordeaux trio’s genre-defying sound, mixing blunt, poetic lyrics with autotuned waltzes and shrewd social observation. Live they balance intimate, melancholic passages with sudden, cathartic eruptions, where close-knit interplay and textural layering create an enveloping sonic atmosphere. The set privileges rhythmic play, vocal contrasts and raw emotional intensity, offering a concentrated, immersive concert experience that reflects the group’s restless, uncompromising outlook.
After spending six years in prison, a solitary con artist embarks on a journey of reintegration. Suddenly, a woman claiming to be his daughter appears, bringing up a missing sum of money, a cult, and an heiress tied to wartime exploitation. With the support of a therapist who was involved throughout his incarceration, the characters delve into a world of deception, identity quests, and shared guilt. This existential thriller delves into the fragmented nature of reality and memory.
In French.
A musical journey through the history of cabaret, from its origins to the present day, takes the stage at Théâtre Les Salons. Directed by Philippe Cohen, this production includes artists such as Bobby Lapointe and Aristide Bruant, accompanied by the talented Gaëlle Poirier on accordion and Narcisso Saùl on guitar. The ensemble, featuring Majbritt Byskov-Bridges, Philippe Cohen, Marie-Stéphane Fidanza, Claudia Lachat, Thomas Laubacher, and Kim Selamet, delivers a captivating evening filled with sketches and songs, offering a delightful blend of whimsy, romance, and humor.
Choreographed by Trajal Harrell and performed by the Zürich Dance Ensemble, Caen Amour blurs the line between dance and runway, mixing representation with sharp cultural commentary. The piece draws on the late-19th-century hoochie-coochie and orientalist spectacle, reworking those flamboyant gestures into a transcultural odyssey. Costumes, music and lighting interplay to sculpt a theatrical, sensual atmosphere where movement, pageantry and critique collide, inviting reflection on performance, identity and spectacle.
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