Bold, raw and often hilariously cringe-worthy, Bâtard sensible is a one-man show where Alexandre Kominek tackles themes like sex, drugs, identity, and vulnerability with unfiltered humour and brutal honesty. It’s a stand-up ride that makes you laugh — and maybe blush.
In French.
Amid the bustle of city life, five “artist donors” — musicians, singers, poets, performers, and visual and sound artists — offer a timeless, made-to-measure pause created just for you. This intimate and restorative experience invites audiences to slow down, reconnect, and give space to new, bold aspirations.
Directed by Bastien Blanchard, CANICULE is a first play that turns a scorching domestic scene into a comedic yet unsettling probe of consumerist happiness. Actors Nadim Ahmed, Estelle Benaïch, Danae Dario and Angelo Dell’Aquila shift between light banter and mounting unease as a repairman exposes fissures in a marriage. Cornélius Spaeter’s scenography, Marc Heinmendinger’s lighting and Ljubica Markovic’s costumes frame moments of heat, claustrophobia and ironic intimacy, touching on climate change and overconsumption with dry wit and emotional precision.
In French.
The play “Judith,” elevated by masterful language, delves into the depths of desire through an intriguing and intimate setting. Directed by Gabriel Alvarez and featuring Clara Brancorsini, Justine Ruchat, and Soufiane Guerraoui, the performance presents a gripping duel between Judith, a young widow, and Holopherne, an enemy general. This battle, where territorial stakes interweave with personal desires, examines the boundaries between ideology and bodily impulses, in a confrontation where words both soothe and sting.
In French.
Staro slips, sneaks and interferes between genres, inhabiting a liminal space between rap and rock. His French-language, finely crafted and punchy lyrics draw listeners into an intimate, turbulent universe where melancholy dances with the fury of living. On stage he alternates restrained phrasing and explosive outbursts, shaping a raw, urgent sound that balances poetic precision with visceral energy. The performance feels both confessional and confrontational, leaving a lingering emotional charge.
In French.
Directed by Cyril Teste, this restless adaptation of Anton Chekhov’s Platonov concentrates the action into a single, simmering night. Teste blends cinema and theatre, letting the camera trace fragments of conversations, music and the shifting paths of desire and solitude. Around the melancholy misanthrope Micha, an ensemble confronts money, regret and incomprehension as frustrations and longings are amplified by summer heat and drink. The staging is at once filmic and theatrical, precise and emotionally porous.
In French.
The Antigel opening night brings a charged, club-like atmosphere where shadowed movement and layered sound meet. Patrick Mason anchors the evening with immersive techno and house textures, while Djamzer opens with a warm-up set. In the second room, Spice & Curls and Habiboo deliver afro-electro, ragga and baile funk rhythms. Additional floors host a collective DJ set and a late-night bar selection, creating a multi-room journey of dance and sonic intensity.
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