With “Chappatte on Stage”, renowned editorial cartoonist Patrick Chappatte takes to the stage to explore, with humor and sharp insight, the role of cartoons in society. Through his drawings and stories, he reminds us that critical thinking and satire are, like the canaries in old coal mines, vital indicators of the health of our democracy. A show that is as entertaining as it is thought-provoking, where the pencil becomes a tool for collective awareness.
In French.
Following Napoleon’s defeat, Talleyrand and Fouché meet in Paris to determine France’s future—whether it will be a republic or a monarchy. During a private dinner, they engage in a heated debate: Fouché advocates for the republic, while Talleyrand aims to restore the Bourbons, requiring Fouché’s support. The evening is filled with revelations and confrontations against a backdrop of external turmoil.
In French.
Théophile, a successful author, is crafting a poetic tale that provokes paranoid reactions among those around him, as everyone sees themselves in his characters. Directed by Olivier Périat and featuring a talented cast including Carine Barbey and Frédéric Landenberg, this play humorously and thoughtfully delves into the themes of being and seeming. Produced by Cie Interlope, it has been praised for its humor and its insightful exploration of the hidden aspects of our personalities.
In French.
For the season’s first apéro ballet, the Japanese musicians of “Bal impérial”—Tsubasa Hori, Shogo Yoshii, and Kazutomi “Tsuki”—showcase their collaboration with Sidi Larbi Cherkaoui and dancer Riley O’Flynn. The event takes place at the Foyer of the Grand Théâtre de Genève.
The show “7-8 Jean-François,” crafted by Alexandra Tiedemann and Céline Goormaghtigh, tells the story of a middle-aged man, disillusioned with life. Following his doctor’s advice to make a change, he enrolls in a disco dance class. There, a chance reunion with his old schoolmate Michaël stirs up past rivalries and awakens an unexpected competitive edge. Jean-François now dreams of redemption by winning the prestigious local dance event, the Night Cup.
In French.
Caroline de Cornière intertwines autobiography, movement, and words to delve into the transformations of her female body. By invoking the figures of her foremothers, she weaves an intimate and collective narrative. Performing solo within an evolving stage design, she welcomes the audience into an empathetic space where voice, music, and dance interact, balancing introspection and shared experience.
“Avignon, une école,” by Fanny de Chaillé, takes audiences on a journey through the iconic moments of the Avignon Festival using a rich tapestry of photo archives, films, reports, and radio broadcasts. Conceived in 2024 with 15 actors from La Manufacture, this production delves into 77 years of theatrical history, stage memories, scandals, and artistic testimonials, all brought to life with exuberant theatricality and infectious enthusiasm.
In French.
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