Videos by Óscar Muñoz (Colombia) and Vindhya Buthpitiya (Sri Lanka)
The Alexei Jaccard Mural serves as a space for remembrance and contemplation on human rights and enforced disappearances. The inaugural exhibition, “Residual Images of Forced Disappearance,” delves into this theme with photographic works that highlight the fragility of memory while exposing absence and emptiness. These paradoxical and poetic images transform into areas of resistance against violence.
FURTHER AFIELD
This exhibition celebrates the artistry of Michel Mottier, a craftsman from the Pays-d’Enhaut who carves each wooden cream spoon with patience and precision. Discover around a hundred unique handcrafted spoons, each reflecting his remarkable skill and dedication to this singular passion.
Collectif Détente presents works that treat fabric and clothing as spectral carriers of memory. Through textile-based installations, sculptural garments, assemblage and a filmic element, artists including Ryan Gander, Meret Oppenheim and others probe domestic hauntings, hidden inheritance and collective fears. The show stages fragile, unsettling presences that revive interrupted stories and private traces, using material tactility and suspended forms to reveal how ordinary objects and living spaces keep visible and invisible histories in uneasy coexistence.
Taste Contemporary presents Ways of Looking, a solo exhibition by British painter Ben Sadler, bringing together all 24 portraits from his 2024 series You and I, alongside recent works. Through small, quietly compelling paintings of imagined exhibition-goers, Sadler captures fleeting expressions and inner worlds—figures who meet our gaze or drift away, pensive, amused, or absorbed. Subtle and poignant, the works explore the layered experience of exhibitions: the art, the space, the people within it, and the unspoken connections between them.
Opening on Thursday 22 January, from 18:00.
Ghislaine Heger presents a photographic series of portraits that foreground 101 women from French-speaking Switzerland and their experiences of ageing and gray hair. Combining portrait photography with each subject’s own testimony, the work examines social expectations, gendered scrutiny and the intimate moments that surround a visible change.
The exhibition evokes questions of identity, dignity and resilience, offering nuanced, gentle accounts that reveal how personal histories intersect with broader cultural attitudes toward ageing.
For his first solo exhibition in Geneva, Gregor Hildebrandt transforms Galerie Mezzanin into a poetic space of memory and transformation. Using materials such as magnetic tape, vinyl records, and audio cassettes, he reinterprets the physical traces of the analog world, turning familiar forms into sculptural and pictorial works. His installations evoke themes of transfer, nostalgia, and the fragility of memory, reminding us that remembrance once had a tangible medium. Balancing irony and reverence, Hildebrandt questions the role of the artist in an age dominated by digital reproduction, suggesting that art now resides not in direct representation of reality, but in the layered density of collective memory and desire.
Opening: Thursday November 13, 18:00 – 21:00
Matthias Lecoq investigates the contemporary city as a milieu of existence, probing how urban forms shape subjectivity and appearance. The exhibition centers on abstract paintings that translate urban forces—density, thresholds, fields, circulations, exhaustion and momentum—while photographs anchor the work in everyday situations. Diagrams, cosmologies and textual fragments act as thinking-tools rather than explanations. Through a study of grammars, rhythms and tensions, Lecoq’s practice reveals the conditions that make collective and individual emergence possible within urban life.
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