The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.
La Cuisine des Collectionneurs is a convivial, evolving exhibition where contemporary art meets gastronomy. The project invites four collectors to curate walls from their personal collections. It blends scenography, shared collecting, and a collective display, extended into the kitchen through an ephemeral menu inspired by their worlds. Conceived as a living space, the exhibition unfolds with talks, meals, and gatherings over time, celebrating exchange, generosity, and the pleasure of art—on the walls and on the plate.
Ghislaine Heger presents a photographic series of portraits that foreground 101 women from French-speaking Switzerland and their experiences of ageing and gray hair. Combining portrait photography with each subject’s own testimony, the work examines social expectations, gendered scrutiny and the intimate moments that surround a visible change.
The exhibition evokes questions of identity, dignity and resilience, offering nuanced, gentle accounts that reveal how personal histories intersect with broader cultural attitudes toward ageing.
Valse Velue brings together Jessy Razafimandimby and Cathy Josefowitz in a cross-generational dialogue that juxtaposes performative practice with a body of studio-based works. The presentation combines live and time-based actions with constructed objects and window-front pieces by Tito Honegger and Nicolas Ponce. Through movement, improvisation and attentive materiality, the exhibition interrogates presence, memory and the afterlives of artistic gestures. Curatorial framing highlights exchange, contingency and how ephemeral performances resonate alongside durable artifacts.
Opening Thursday 22 January, from 18:00.
The exhibition “L’avantage du terrain” by Jan Voss at the Sonia Zannettacci gallery showcases the artist’s creative freedom through vibrant paintings and collages. Undulating shapes, intertwined lines, and assorted objects engage in an energetic and poetic dialogue, providing a unique visual experience where each element interacts in joyful harmony.
Opening during the Art en Vieille-Ville collective vernissage on Thursday, November 6, from 16:00 to 21:00.
The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.
To mark the 300th anniversary of Giacomo Casanova, the MAH presents a major exhibition on this iconic 18th-century figure. Seducer, adventurer, writer, and traveler, Casanova left his mark on Geneva through his encounters with Voltaire. Rare manuscripts and objects trace the captivating journey of a libertine in Calvin’s city.
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