The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.
Puissance 5 brings together five women artists from different generations in a dialogue between matter and spirit. Their intersecting trajectories produce works where gravity, metal, graphite and cosmic imagery become recurring motifs. The exhibition presents pieces in metal, pencil and mixed media that interweave tactile presence and poetic restraint, exploring materiality, perception and the enduring force of feminine creation across time and space.
Opening: 16 September, 16:00
An extensive survey assembled from a long-standing research collection devoted to glass, this exhibition takes a contemporary look at a millennia-old material. Over two hundred glass and mixed-media works, including sculptural objects, design pieces and installations, testify to a transdisciplinary experimental spirit. Featuring artists such as Ettore Sottsass, Pierre Charpin, Betty Woodman, Bob Wilson, Giuseppe Penone, Jana Sterbak and James Lee Byars, the show examines materiality, technique and the porous boundaries between craft, design and contemporary art.
Opening : Thursday 23 April, 18:00
Guided Tours (in French)
Minor Tides brings together three young photographers — Lina Geoushy, Sarah Jade Sullivan and Farren van Wyk — who centre portraiture in work that interrogates family histories and cultural heritage.
Through staged and documentary photographic portraits, the artists examine collective identity, colonial legacies and processes of reclamation: Geoushy revisits pioneering women in Egypt’s past; Sullivan documents youth in Saint Vincent and the Grenadines navigating economic and colonial afterlives; van Wyk stages family portraits that rework violent colonial iconographies and affirm mixed identities. The exhibition traces subtle currents of change beneath visible histories.
Opening: Wednesday 1 July, 18:00
Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.
Our eyes are naturally drawn to light and what shines. Yet what could be more fascinating than shadow? Shadows have enabled many fundamental discoveries: the shape of the Earth, the calculation of its circumference, the identification of electrons, and the understanding of planetary motion. They accompany us and enrich our thinking. Come and explore them to learn more about their role in science.
Exhibition in French & in English.
Cécile Koepfli creates a site-specific window installation of colorful, poetic drawings. Mischievous characters, everyday objects, and fragments of text assemble into a playful, sensitive imaginary world. The works, rendered directly on window panes, unfold as tableaux and narrative vignettes that invite viewers to imagine the activities and encounters that will animate the space.
A seek-and-find game encourages close looking and slow discovery across the illustrated surfaces.
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