The exhibition invites you on a journey through anatomical models, casts, waxworks, and illustrated antique books. Modern tools like microscopy, medical imaging, and 3D printing uncover the inner workings of organs, currently utilized by medical students at the University of Geneva. This is a collaboration with the University of Geneva. Some images may not be suitable for younger or sensitive audiences.
May 1972 is an exhibition dedicated to Salvatore Emblema (Naples, 1929–2006), bringing together works produced between the late 1960s and the early 1980s. Across paintings, sculptures and installations, Emblema refines a conceptual language that interrogates materiality, form and temporality. The presentation highlights his experimental use of found materials, assemblage and reductive gestures, situating these works within postwar Italian avant‑garde practices and the artist’s evolving exploration of spatial and epistemic limits.
MAMCO presents Dial‑A‑Poem Switzerland, a telephone-based poetic broadcasting project inspired by John Giorno. The installation transforms a decommissioned phone booth into a listening station, gathering recorded voices from across Switzerland’s linguistic regions. The programme features contributions by poets and artists exploring language, public space and oral transmission, alternating recorded and live readings. Conceived with Giorno Poetry Systems, the project foregrounds voice as material and communal listening as a poetic practice.
Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.
Mitchell Anderson presents a new edition and bodies of work examining the legacy of post‑war astronautics. Drawing on graphite relics from a V‑2 rocket, children’s drawings and mural motifs, the exhibition stages colour‑in pages alongside wall drawings and hybrid objects that hover between craft and ready‑made. Mixed‑media pieces employ encaustic, embroidery and hand‑written texts to interrogate the rocket as an icon that condenses both promise and violence, situating technological histories within intimate material registers.
Ernest Pignon-Ernest, born in 1942 in Nice, is considered one of the pioneers of street art. Through life-sized charcoal drawings pasted directly onto city walls, he creates powerful encounters between his human figures and the urban spaces they inhabit. Deeply engaged with social and political issues, his work reflects historical and contemporary struggles while maintaining a strong poetic and human presence.
Opening during the Nuit de Bains on Thursday 12 March at 18:00.
Terre de Crète presents a photographic exploration of portraiture and its limits. The series transplants specimens of Cretan flora onto small mounds of earth, arranged and lit in a studio-register that evokes Irving Penn’s restrained still life. Through meticulous composition and tactile detail, the works probe the border between botanical study and human portrait, inviting reflection on staging, scale and the politics of representation.
Opening during the Nuit des Bains, Thursday 12 March, 18:00.
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