The exhibition invites you on a journey through anatomical models, casts, waxworks, and illustrated antique books. Modern tools like microscopy, medical imaging, and 3D printing uncover the inner workings of organs, currently utilized by medical students at the University of Geneva. This is a collaboration with the University of Geneva. Some images may not be suitable for younger or sensitive audiences.
The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.
The group exhibition DREAM UP, curated by Séverine Redon, features over 40 works by 23 artists. In a world facing crises, it seeks to reimagine our connections with life, matter, and time through the lens of dreaming. The artworks blend dream and wonder, reviving ancient and intuitive knowledge to offer an expanded consciousness. Here, dreaming becomes a gentle yet profound commitment, a gateway to other worlds.
Alexandre Joly and Daniel Zea showcase “Multiverse of a Birdcage” at Fonderie Kugler, an electro-acoustic installation featuring 17 hanging panels and 1,500 piezos, forming a hybrid acousmonium. The exhibition, enhanced by the works of 40 artists, includes four artist residencies, each culminating in a Saturday evening concert. Additionally, there will be a performance by Alexandre Joly and Daniel Zea during this period.
The gallery in Geneva is showcasing the group exhibition Ce sont les fleurs qui ont changé, curated by Mathieu Mercier. This exhibition features ten artists, including Michel Blazy, Gaël Davrinche, and Bertrand Lavier, who explore floral motifs through diverse artistic approaches, ranging from organic installations to painting.
Opening: Thursday 13 November, 18:00 – 21:00
An after-work evening dedicated to commemorating the 100th anniversary of Félix Vallotton’s death.
The exhibition delves into the delicate and harmonious grace in 16th and 17th-century Flemish painting, examining how the masters of this period used color and intricate details to achieve this elusive quality. Grace, seen as a feminine attribute that favors delight over strength, suggests a balance between the soul and nature.
Opening during the Art en Vieille-Ville collective vernissage on Thursday, November 6, from 16:00 to 21:00.
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