The “RED ART” exhibition organized by Francisco Lacerda during the Geneva art fair, delves into artists’ reflections on the color red in art, blending historical and contemporary perspectives. The featured works will explore themes like traditions, identities, and the cultural and symbolic interpretations of red.
An intimate two-part retrospective of Aimée Moreau presents a focused selection of previously unseen drawings alongside her paintings. The show highlights the artist’s quiet, sustained practice—works on paper that reveal sensitivity, restraint and a poetic attention to everyday objects. Together, drawings and paintings invite a renewed contemplation of ordinary forms and the subtle rhythms of domestic life. The exhibition was organised with the artist’s heirs, Sophie and Barbara Kervaire.
In Soft Gravity, Domum delves into the materiality and sensuality of forms through a multitude of contemporary voices in design and creation. Imagined as a sensitive constellation, the exhibition showcases suspended, fleshy, and sculptural shapes that intertwine. It invites visitors to an experience that balances between fragility and strength, memory and presence.
Opening: Thursday 13 November, 18:00 – 21:00
To mark the 300th anniversary of Giacomo Casanova, the MAH presents a major exhibition on this iconic 18th-century figure. Seducer, adventurer, writer, and traveler, Casanova left his mark on Geneva through his encounters with Voltaire. Rare manuscripts and objects trace the captivating journey of a libertine in Calvin’s city.
Niels Hung, a graduate of HEAD–Genève, investigates his multicultural identity through painting shaped by American and Asian visual cultures. His works—repainted canvases and mixed-format paintings—often reappropriate images found online and in the street, interrogating contemporary image production and its slipperiness. Employing layered pictorial strategies and referential iconography, Hung stages a critical dialogue that oscillates between fascination and critique. He also joined the Work.Master teaching team in 2024 and engages with questions of artistic production and the artist’s condition.
The exhibition “L’avantage du terrain” by Jan Voss at the Sonia Zannettacci gallery showcases the artist’s creative freedom through vibrant paintings and collages. Undulating shapes, intertwined lines, and assorted objects engage in an energetic and poetic dialogue, providing a unique visual experience where each element interacts in joyful harmony.
Opening during the Art en Vieille-Ville collective vernissage on Thursday, November 6, from 16:00 to 21:00.
Swiss artist Grégory Sugnaux presents a body of paintings that stage ambiguous, often hybrid figures—part human, part animal, serial androids and distorted, sometimes monstrous bodies. Combining grotesque allusion with ironic self-reflection, he mixes genres and pictorial techniques to render surfaces alternately smooth and vibrating, fracturing legibility.
A composed soundtrack threads through the installation, amplifying the exhibition’s uneasy pulsation. The works negotiate a fragile balance between fascination and self-critique, revealing vulnerability beneath playful, unsettling imagery.
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