Pulp Fiction

Curated by the Geneva University Film Club, Lost in Narration gathers films by directors such as Federico Fellini, Alain Resnais and David Lynch to explore non-linear, disorienting storytelling. The series maps fragmented narratives and dreamlike logic, offering snapshots of memory, identity and cinematic form. Expect varied visual textures—from luminous retro frames to saturated nocturnes—and an emotional pulse that moves between unease and melancholic wonder. It highlights how narrative instability opens new dramaturgies and sensory possibilities in cinema.

Blade Runner (Director’s Cut) by Ridley Scott (1992, 1h56), organised by the Société de Lecture, in the presence of Professor Alexandre Pouget.

Ridley Scott’s Director’s Cut of Blade Runner is a hallucinatory neo-noir that probes memory, identity, and what it means to be human. Set in a rain-soaked, neon-lit future, the film combines moody, atmospheric cinematography with philosophical questions about creation and empathy. Harrison Ford’s brooding performance and Vangelis’s iconic score create a haunting, elegiac tone that underscores themes of mortality, longing, and the blurred boundary between man and machine.

In original English version with French subtitles.