John Armleder’s carte blanche brings his multidisciplinary practice—painting, installation and performative gestures—into dialogue with the project Encore(s) and the Observatoires presentation. The evening frames a crossover between curatorial approaches, exposing how repetition, display and relational encounters reconfigure meaning. Works range from painted works and spatial interventions to ephemeral actions, examining temporality, curatorial authorship and the thresholds between exhibition formats. The event reveals convergences that question how artworks persist and reappear across contexts.
