Thursday 28 May, 18:00

Un soir aux Eaux-Vives — 8th Edition

The eighth edition of “Un Soir aux Eaux-Vives” invites visitors to explore the neighborhood’s galleries, artist studios and exhibition spaces. Participating venues present a diverse programme of painting, sculpture, installation and photography, showcasing established and emerging practices. The evening emphasises dialogue and convivial exchange, highlighting local artistic approaches and experimental techniques. Visitors can discover varied visual languages, material processes and thematic explorations that reflect the cultural and social textures of the Eaux‑Vives district.

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26 March – 8 May

Natalia González Martín presents eleven new oil paintings on panel that extend her sustained engagement with still life. Drawing on the visual language of Baroque and Counter-Reformation masters such as Juan Sánchez Cotán and Francisco Zurbarán, the works turn toward the ritual of sobremesa — the suspended time after a meal — and consider it as a gendered social space. Set against tenebrist backgrounds, plates, fruit, glasses and fragments of bodies emerge to reorient still life from display and possession toward duration, relation and the often-invisible labour of togetherness.

23 January – 30 April

London-based artist Konstantina Krikzoni presents a body of paintings born from an intense solitary studio practice. Her work blurs painting and sculpture: textured, tactile canvases where brushwork and sculptural modelling interweave. Silent yet confrontational female figures occupy compositions in grey and yellow, evoking funerary motifs and the logic of memory and grief. ARMATURA functions as metaphor and method — an internal armature of endurance that shapes emotion into form through material exploration and sustained process.

13 March – 25 April

Mitja Tušek presents two recent groups of paintings that probe the materiality of painting, the instability of the image and the fragility of identity. One series assembles clusters of faces emerging from dense pictorial fields; each face is built from nine black circles forming a compact pictorial ecosystem. The works emphasise surface, repetition and a sculptural use of paint. Tušek (b. 1961, Maribor) studied in Geneva and is based in Brussels; his work has been shown internationally since the 1990s and is held in major public collections.

Opening during the Nuit de Bains on Thursday 12 March at 18:00.

12 March – 1 May

May 1972 is an exhibition dedicated to Salvatore Emblema (Naples, 1929–2006), bringing together works produced between the late 1960s and the early 1980s. Across paintings, sculptures and installations, Emblema refines a conceptual language that interrogates materiality, form and temporality. The presentation highlights his experimental use of found materials, assemblage and reductive gestures, situating these works within postwar Italian avant‑garde practices and the artist’s evolving exploration of spatial and epistemic limits.

20 October – 6 May

Ready to dive into the dark depths off the island of Antikythera to discover an ancient shipwreck? The exhibition Nouvelles d’Anticythère presents the research carried out between 2021 and 2025 by the Classical Archaeology Unit of the University of Geneva, in collaboration with the Greek Ministry of Culture. It examines the famous shipwreck discovered in 1900 — a major merchant vessel that sank in the 1st century BCE — and invites visitors to discover the site and understand why it remains a key subject for archaeological research across the Mediterranean.

12 March – 16 May

Architecture of Memories is a two-person exhibition by German artist Alina Frieske and Swiss artist Tobias Nussbaumer. Frieske reworks fragments of online imagery into digital collages that question image production and contemporary visual culture. Nussbaumer constructs layered virtual and architectural spaces through detailed pencil and ink drawings based on personal archives. Together their works probe how images configure memory, spatial perception and identity, juxtaposing digital fragmentation with meticulous draughtsmanship.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

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