There’s another Geneva beneath the Old Town. Descend under St Peter’s Cathedral to walk through more than 2,000 years of history, from pre-Christian remains to the city’s earliest churches. It’s one of those places you can walk past a hundred times without guessing what lies beneath.
Humanitarian, by Design? explores the often-overlooked role of design in humanitarian action, from objects and emergency shelters to maps, images and digital technologies. Bringing together nearly 200 objects—most presented to the public for the first time—the exhibition examines how design shapes the way crises are experienced, managed and represented. Across three perspectives—objects, spaces and imaginaries—it reveals both the creative potential and the tensions embedded in humanitarian design. A multidisciplinary exhibition that questions how design can support care, dignity and resilience in times of crisis.
An intergenerational exhibition presenting the work of Jannis Kounellis and Julian Charrière, focusing on a material-based conceptual practice that spans over fifty years. The display brings installations and sculptural works into dialogue, foregrounding elemental media such as coal, combustion, metal and petroleum used as supports and vectors of history, political reflection, energy and symbolic charge. The juxtaposition highlights shared concerns about matter, industry and the traces of human intervention.
Preview (Geneva Art Week) in presence of Julian Charrière: Wednesday 16 September, 17:00.
Opening (Nuit des Bains): Thursday 17 September, 18:00.
Hydromondes, a multidisciplinary collective, presents a two‑year field investigation into Lake Geneva through visual and narrative works. Combining art, science and activism, the group brings together architecture, theatre, hydrology, popular education, landscape design, biology, music, ethnography and engineering to produce mixed-media, research-driven installations and documentary narratives. Drawing on dialogues with local residents and ecological knowledge, the works examine water infrastructures, cultural imaginaries and governance, proposing experiments that reveal and question our relationships with the lake.
A small museum with a very big world inside. Hidden in Geneva’s Old Town, Barbier-Mueller draws on several thousand works spanning Antiquity to the present and representing cultures from across the globe. Displays change regularly, so there is always another part of this remarkable collection to discover.
Live Language Model brings together a collective exhibition that unfolds across successive sequences, presenting works and critical reflections on attention at the intersection of language and presence. The programme features performance-based pieces by the duo Calling the Operator (Axelle Stiefel and Octave Magescas) alongside new editions and sculptural installations by Thomas Hirschhorn and Olivier Mosset. Through typographic interventions, printed matter, performance and austere minimal forms, the project interrogates how language conditions perception and the social life of objects.
Through textiles, photography, performance, and writing, Vanessa Riera explores the visible and invisible burdens that permeate women’s experiences: norms, legacies, and inherited traumas, but also care, healing, and resistance. The title evokes those micromovements that allow the body to endure, adapt, and transform—gestures sometimes imperceptible, yet profoundly meaningful.
Opening during Geneva Art Week on September 16, 18:00
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