Michel Porret, historian, professor emeritus at the University of Geneva and president of the Rencontres internationales de Genève, examines the Tintin saga and the representation of death in Hergé’s work. The lecture explores how the 24 albums, from the early Soviet episode to later encounters with contemporary art, stage diverse forms of death—accident, crime, capital punishment, suicide—and how these instances shape moral quests and narrative tone. It offers a historical and iconographic reading of recurring motifs.
In French.
