18 September – 8 November

David Medalla

Renowned for dissolving the boundaries between artist and audience, his work celebrated collaboration, transformation, and human connection through ever-changing, interactive creations. Blending political engagement with poetic imagination, Medalla explored themes of identity, migration, ecology, memory, and collective experience, leaving a lasting influence on contemporary art. This exhibition offers an opportunity to discover the work of one of the most visionary and experimental artists of the twentieth century, whose playful yet profound practice continues to inspire new generations of artists and audiences alike.

Rue des Sablons 4,
1205 Genève
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Photo Credit: David Medalla, Untitled, n.d.

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18 September – 19 December

An anniversary exhibition examining 250 years of drawing in Geneva, bringing together historical holdings and contemporary commissions. The show juxtaposes patrimonial studies, preparatory sketches and finished works with twenty-five newly commissioned pieces, alongside student works from the local drawing school. Themes include portraiture and landscape, technical innovations, urban and territorial perspectives, ornament and botanical motifs. Curated by Silvia Zuccherini Martello, Nicolas Buri and Tom Tirabosco, the presentation traces the medium’s evolving practices and social significance.

Opening: Thursday, 17 September 2026, 18:00
Closing event – Mystery Fresco: Thursday, 17 December 2026, 18:00

16 September – 3 October

Gisèle Bonin presents Fragiles, an exhibition of drawings, photography and installation that examines fragment, memory and intimate loss. Using sanguine, graphite and charcoal, Bonin composes delicate, grain‑sensitive surfaces where bodily fragments become sites of presence and silent testimony. The work reflects on exile and absence, revealing how gestures of drawing and measured installation practices hold traces of difficult histories without explicit narration.

17 September – 7 November

Lilian Bourgeat creates hyperrealistic sculptures that magnify everyday objects into monumental forms. Meticulous attention to surface, material and colour transforms benches, rain boots and soda cans into seductive yet unsettling sculptures. By altering scale while preserving recognizable details, his pieces oscillate between functionality and absurdity, displacing the viewer and inviting fresh perceptions of ordinary gestures and urban routines. The work interrogates how familiar objects shape memory, use and the boundaries between the banal and the monumental.

Opening: Thursday 17 September, 18:00

4 June – 25 October

Sylvia Sleigh’s retrospective pairs the artist’s figurative painting with ‘Refaire collection’, a polygraphic project offering a feminist rereading of art-history canons. Sleigh, a Welsh painter active in New York, is known for reversing gendered norms—placing the male nude where the female traditionally appears—and for portraits of the 1960s–70s New York art community. ‘Refaire collection’ gathers Swiss holdings and works by artists such as Louise Bourgeois, Meret Oppenheim, Pipilotti Rist, Joan Semmel and the Guerrilla Girls across painting, sculpture, video, drawing and photography.

Opening: 4 June 18:00

5 May – 30 September

Alice Izzo presents Botanic Circus, an immersive installation that transforms natural elements into a poetic visual performance. Through site-specific sculptural forms, coloured assemblies of flowers, plants and fruit become staged protagonists, inviting slow wandering, close observation and tactile interaction. The work blends installation, painted surfaces and ephemeral botanical assemblage to probe nature’s textures, theatricality and human perception. A parallel programme of monthly acrylic painting workshops complements the installation.

19 September 2025 – 4 October 2026

The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.

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