3 July – 5 September

Intermezzo, Part 1 & 2

Intermezzo, Part 1 & 2 brings together works by Vincent Fournier, Franz Gertsch, Fabrice Gygi, Thomas Huber, Pierre Schwerzmann and Franz Erhard Walther. The group show stages a dialogue between photographic practice, painting and sculptural or performative interventions, highlighting contrasts of scale, materiality and pictorial space. Through composed images, painted surfaces and tactile objects, the exhibition considers modes of representation and the viewer’s bodily relation to works, encouraging slow looking and attentive spatial experience.

Rue des Vieux-Grenadiers 9,
1205 Geneva
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Photo Credit: DR

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The Tender Buttons exhibition offers a multidisciplinary exploration centered on buttons, delving into their identity and historical significance. Featuring over three hundred ceramic and glass buttons, the exhibition interacts with the museum’s works to highlight their role in both formal experimentation and socio-cultural narratives. The exhibition’s architecture evokes the commercial arcades of the 19th century, a pivotal era for button industrialization. Curated by Claire FitzGerald, the exhibition is supported by the Swiss Fashion Museum and showcases never-before-seen pieces from several prestigious collections.

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Gina Proenza explores how language shapes power and human relationships. Working across sculpture, installation, drawing, and video, she uses words, symbols, and bodily gestures to question communication and meaning. Rooted in her Colombian and French heritage and bilingual upbringing, her practice examines the intersections of language, identity, and interaction.

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Tobias Kaspar (né en 1984 à Bâle, Suisse) est un artiste vivant et travaillant entre Zurich et Riga, ainsi qu’à Mesocco (Suisse) et Salacgrīva (Lettonie), où il dirige The Estate, deux résidences d’artistes et espaces d’exposition. Depuis près de vingt ans, sa pratique multidisciplinaire explore les systèmes à travers lesquels la valeur culturelle, l’auteurité, l’ambition et la signification sont produites et diffusées. À travers la photographie, le textile, l’installation, l’édition, la mode et la conception d’expositions, Kaspar fait souvent des mécanismes de la production culturelle le sujet même de son travail. Son œuvre a été présentée dans de nombreuses institutions internationales, notamment à Artists Space, Hamburger Bahnhof, Kunsthalle Basel, Kunsthalle Bern, MAMCO Genève et au Museum of Modern Art de Varsovie.

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Artists Daniel Dewar and Grégory Gicquel present a large-scale installation conceived as a traversable architecture that reconfigures the museum courtyard into a mutable living environment. Seven works dialog with sculpture, and two pieces were created specifically to engage the lapidary collection and the Pierre-aux-Dames megalith. Using carved stone surfaces, constructed siphons and modular plaster and resin elements, the project explores material metamorphosis, bodily presence and the shifting relations between monumentality and domestic scale.

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