27 May – 14 June

Pipas 2026 – Trouble

PIPAS 2026 – Trouble-accueil is a playful, slightly subversive entry in the PIPAS biennale curated by Paul Oberson. It unfolds as a series of unexpected encounters and atmospheric interventions that tilt everyday hospitality into moments of disorientation and delight. The piece invites visitors to reconsider welcome, movement and the social choreography of shared spaces through visual, auditory and performative gestures. Expect a curious, tactile experience that favors surprise, thoughtful mischief and sensory discovery.

Photo Credit: DR

Array

Photo Credit: DR

16 October 2025 – 30 August 2026

PlasMAH: Tonutopia

Art & Exhibits

MAH

The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.

Array

22 May – 20 June

Intermezzo: Group Show

Art & Exhibits

Skopia Art Contemporain

Intermezzo brings together a constellation of international and Swiss artists including Pierre-Olivier Arnaud, Silvia Bächli, Franz Gertsch, Olivier Mosset, Claude Rutault and Franz Erhard Walther. The group show juxtaposes painting, drawing, photography and sculptural interventions to explore materiality, repetition and spatial gesture. Works range from refined drawings and large-scale canvases to object-based installations, inviting a dialogue between figuration and abstraction and reflecting on process, surface and the performative possibilities of form.

Opening: Thursday 21 May, 18:00

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21 May – 26 June

Collectif_fact Afterimage

Art & Exhibits

Wilde

collectif_fact is composed of Annelore Schneider (born 1979 in Neuchâtel, Switzerland) and Claude Piguet (born 1977 in Neuchâtel, Switzerland). Living and working between London and Geneva, they create mainly video-based works that deconstruct cinematic codes and popular culture stereotypes. Their practice explores notions of (anti-)spectacle, simulacra, and appropriation through fragmented narratives combining dialogue, quotations, music, and references to classic cinema.

Opening: Thursday 21 May, 18:00

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20 May – 23 June

12.5 m² – Design x Vegetation for the Common Good

Art & Exhibits

Parc sous les marronniers

Seven emerging designers transform parking bays into site-specific installations that imagine alternative uses for reclaimed urban space. Combining design, planting and crafted structures, the works explore collective wellbeing, ecological practice and public appropriation of infrastructure. Installations range from modular seating and planted interventions to sculptural landscapes that reframe parking as communal terrain. The project foregrounds collaboration between landscape and design, inviting reflection on everyday spatial commons and small-scale ecological strategies.

Opening (booking required): Tuesday 26 May, 12:00

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16 March – 17 October

Geneva cafés: life itself

Art & Exhibits

Bibliothèque de Genève

Dany Gignoux (photographer) and poet Georges Haldas present a compelling dialogue between documentary photography and lyrical prose. The exhibition brings together photographs and written fragments that register everyday life in Geneva’s cafés, combining on-the-spot reportage with memory-infused “prose inspirée.” Through intimate black-and-white images and spare, evocative texts the works transfigure mundane scenes into poetic testimony, revealing social undercurrents and human tenderness. Archival materials frame this historic encounter between two generations of cultural chroniclers.

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9 October 2025 – 30 August 2026

Angélica Serech Pach’un Q’ijul (Temps entrelacés – Deep Time)

Art & Exhibits

Red Cross Museum

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

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Pipas 2026 – Trouble