22 May – 11 July

Diego Cibelli: A Life Ahead

Diego Cibelli presents an exhibition that considers notions of futurity and personal trajectory. Through a practice that blends installation, photographic fragments and sculptural assemblage, Cibelli interrogates memory, migration and the acts of anticipating life to come. The works deploy found materials, layered imagery and subtle spatial interventions to create a provisional narrative space where biography, material traces and collective histories converge.

Opening : Thursday 21 May, 18:00 – Talk by Elise Roche at 19:00.

Rue des Maraîchers 63,
1205 Genève
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7 mai – 27 juin

Swiss artist Étienne Krahenbühl presents a contemplative exhibition of sculptural and mixed-media works that explore forms in motion and the generative forces of life. From earth and world emerge cracks, shifts and breaths that shape tensions and connections, underscoring our relationship with matter, nature and the human. The works mark passages between worlds and, through resonance, invite emotional and intellectual reflection on respect, singularity and coexistence.

Opening: Thursday 7 May, 17:00

8 May – 27 September

Vladimir Kartashov presents site-specific installations that unfold across historic island spaces, exploring temporal sequences and memory. Through sculptural interventions, architectural adaptations and subtle interventions in sacred interiors, the artist stages a choreography of objects and light that reconfigures perception of place and time. The series juxtaposes material rigor with ephemeral gestures, inviting reflection on duration, ritual and the layered histories embedded in built environments.

Opening:  Friday 8 May, 19:30
In the presence of the artist
Musical performance by Manuel d’Amico Principle Double Bass of the Orchestra Regionale Filarmonia Veneta

18 February – 23 December

Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.

12 March – 14 June

The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

Performance Linda Bell (Nuit des Bains) : Thursday 21 May, 19:00

28 April – 5 July

Artist Jessica Decorvet investigates the landscape as an unstable concept where seeing implicates participation and representation transforms the world. The exhibition brings together drawings, textiles, ceramics and living plants to stage tensions between intense, almost vital wonder and cultural framing that distances the living.
Playing with scale from miniature objects to a monumental curtain, Decorvet unsettles assumptions: textiles become stained glass while ceramics verge on reliquary. The works evoke and question how perception and materiality shape our relation to place.

Opening: Tuesday 28 April, 18:00

6 – 25 May

Carlo D’Anselmi presents paintings that emerge from imagination, assembling figures, animals and landscapes into dreamlike compositions defined by colour, textured surfaces and a quietly emotive atmosphere. The exhibition considers painting as a silent language that unfolds through attention, light and time, while mountains assert themselves through scale and presence. Developed during the artist’s first stay in Switzerland overlooking the French Alps, the works respond to shifting rhythms and seasonal transformations in the landscape.

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