6 – 29 May

Eclats de ville, éclats de vie & Brutal Swiss

Eliane Gygi presents a body of work where matter becomes light: painter, ceramicist and glass artist, she has developed since the 1980s compositions around glass and mirrors that evoke contemporary frescoes and mosaic-like textures. Her paintings and glass works balance presence and absence, with bold, luminous color fragments that capture and diffuse light beside bare mirrored surfaces that invite reflection. Alongside these, Gygi’s imagined architectural paintings depict clusters of asymmetrical houses in vivid landscapes. Maria Spada offers architectural jewellery—her Brutal Swiss series reimagines Swiss architecture, from Geneva fortifications to works by Zumthor and Botta, translating structural motifs into wearable forms.

Rue Argand 3,
1201 Geneva
Photo Credit: Oeuvre Eliane Gygi
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Photo Credit: Oeuvre Eliane Gygi

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29 January – 25 October

John M Armleder is invited for the museum’s sixth Carte Blanche, presenting over 500 works in a thematic traversal that juxtaposes heritage and contemporary creation. The installation-driven exhibition stages dialogues between animals, abstract painting, musical instruments and lighting, using assemblage, ephemeral structures and situational interventions to encourage wandering and reinterpretation. Paintings, sculptures and installations are layered and superimposed to prompt new readings of the collection and to foreground process, chance and visual play.

29 April – 28 June

Presented from the private collection of Giuseppe Garrera and curated by Andrea Bellini and Giuseppe Garrera, this exhibition assembles an array of diminutive found objects — trinkets, charms, gadgets, toys, lucky charms and fragments of wood, cloth and glass — rescued from mundane life by artists’ gestures. Hovering between toy, everyday artefact and artwork, the presentation explores the thaumaturgic qualities of objects and childhood as a site of refuge and wonder.

Opening: Tuesday 28 April, 16:00 – 21:00

Guided tours (in English)
Sunday 17 May, 16:00
Thursday 21 May, 18:30 – 19:30 (FR or EN)
Sunday 7 June, 16:00

7 mai – 27 juin

Swiss artist Étienne Krahenbühl presents a contemplative exhibition of sculptural and mixed-media works that explore forms in motion and the generative forces of life. From earth and world emerge cracks, shifts and breaths that shape tensions and connections, underscoring our relationship with matter, nature and the human. The works mark passages between worlds and, through resonance, invite emotional and intellectual reflection on respect, singularity and coexistence.

Opening: Thursday 7 May, 17:00

18 February – 23 December

Jean-Jacques Rousseau’s herbarium, compiled in the 1770s for the printer-bookseller Charles-Joseph Panckoucke, is presented through preserved pressed specimens, its original catalogue and related botanical publications. The historical collection combines scientific observation and aesthetic arrangement, revealing Enlightenment approaches to collecting, classification and the popularisation of plant study. Detailed notes and annotations illuminate Rousseau’s techniques and the materiality of specimens, inviting reflection on how personal curiosity and scholarly networks shaped early modern natural history.

24 April – 23 May

Artist Nicolas Ponce presents a personal exhibition of video installations that probe pathways of memory, both personal and collective. Works combine archival footage, film extracts, stolen sequences and found online materials to build layered visual montages. The exhibition text examines mechanisms of remembrance and describes an artistic montage of contradictions that opens a ‘Chamber of Reminiscences’. Ponce’s practice centres on video and installation, interrogating set, landscape, secrets and political narratives through the lens of popular culture.

Opening : Thursday 23 April, 18:00
Meeting with artist : Thursday 7 May, 18:00

29 April – 5 July

Artist Jessica Decorvet presents an immersive installation and scenography centered on a monumental curtain that choreographs a shifting landscape. Through sculpture, textile and spatial interventions, the work stages transformations of perception and material histories, exploring entanglements between nature, cultivation and human intervention. The exhibition evolves over time with the staged unveiling of Néophytes, inviting reflection on emergence, adaptation and the politics of presence within constructed environments.

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