12 March – 9 May

Methodical Process

The exhibition brings together three artists, Nnena Kalu, Linda Bell and Marie Gyger, whose practices examine repetitive gesture as a daily discipline. Gyger reflects on the value of labour, while Bell and Kalu pursue more spontaneous, obsessive procedures. Their works, ranging from repetitive drawings and object accumulation to installations and assembled images, show how accumulation sculpts pictorial forms and material narratives, inviting reflection on labour, ritual and the construction of visual meaning.

Opening during Nuit des Bains, Thursday 12 March, 18:00.

Rue des Sablons 4,
1205 Genève

Array

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4 – 29 March

Rez:urgence – Iris Leroyer

Art & Exhibits

Centre culturel du Manoir

Iris Leroyer presents Rez:urgence, a series of material-based works exploring contemporary urgencies—ecological, social and philosophical. Working through matter and its memories, Leroyer probes tipping points between entropic decay and regenerative processes, where the living oscillates between collapse and resurgence. The exhibition gathers tactile, process-oriented pieces that reveal histories embedded in materials and invite reflection on emergence, imbalance and the possible forms of renewal. It forms a chapter of the artist’s Opus Carbone project at the intersection of art and ecology.

Array

16 October 2025 – 30 August 2026

PlasMAH: Tonutopia

Art & Exhibits

MAH

The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.

Array

4 March – 3 April

Exhibition of a collection – Plan-les-Ouates Art Fund

Art & Exhibits

HiFlow

An exhibition presents around sixty works from the Plan-les-Ouates Art Fund, featuring paintings, sculptures, works on paper and installations. Artists such as Ruth Baettig, Carine Bovey, Sarah Carp, Georges Dessouslavy and Maya Rochat explore repetition, materiality and form through varied techniques: collage, printmaking, ceramics, video and mixed media. The selection stages dialogues between generational perspectives and examines how multiples, process and everyday objects shape contemporary artistic practice.

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18 February – 8 May

Zoe A. Keller and Batia Suter. Uqbaroxy

Art & Exhibits

Centre de la photographie (BGE)

Zoe A. Keller and Batia Suter reactivate the Eranos Archive in a collaborative project that blends critical essay and photographic installation. Keller’s research interrogates archetypal image systems and proposes the concept of the “anarchetype” to unsettle fixed classifications, while Suter juxtaposes historical Eranos images with contemporary-period photographs. Together they examine ideological contradictions and heterogeneous visual encounters of the interwar archive, opening a fictional conceptual field that foregrounds the archive’s historical vulnerability and the politics of visual classification.

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11 – 29 March

Label Genève: Collective Exhibition of Craftsmen

Art & Exhibits

Fondation WRP

Artisans from the Label Genève association present a group exhibition of urban works that bridges contemporary creation, craftsmanship, and technological innovation. The show brings together individual and collective pieces—furniture, objects and site-responsive interventions—that combine traditional techniques, material research and digital processes. Grounded in New Bauhaus principles of sustainability, circularity and interdisciplinarity, the works reveal demanding creative approaches, highlighting artisanal labour, experimental materials and dialogues between handmaking and technological evolution.

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4 October 2025 – 23 May 2026

Sauvages – Behind the Scenes of Claude Barras’ Film

Art & Exhibits

Bibliothèque de la Cité

The exhibition “Sauvages” at the Cité Library invites visitors to delve into the behind-the-scenes of Claude Barras’s film. It is divided into three sections that cover the ecological and cultural aspects of Borneo, reveal the creative and production processes of the film, and immerse the audience in the filming atmosphere through never-before-seen photos and testimonials. Original documents, drawings, travel journals, sets, and figurines enhance this immersive experience.

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Methodical Process