7 & 11 March

Letters from Wolf Street

Arjun Talwar turns his camera toward Wilcza Street in Warsaw, filming neighbours and the textures of everyday life to probe his sense of belonging. Working with a quietly observant, intimate cinema, he assembles encounters and portraits that complicate simple narratives about contemporary Poland. The film unfolds as a patient, tactile study of otherness, community and political atmosphere—close-ups of faces and streetscapes that reveal nuance beneath stereotypes. Sparse, compassionate and perceptive, it listens to ordinary lives to rethink what home can mean.

Rue du Général-DUFOUR 16,
1204 Genève
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Photo Credit: DR

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Friday 6 March, 19:00

Curated as a cycle of five short works by Pauline Curnier Jardin, Maria Klonaris and Katherina Thomadaki, Laure Prouvost, Mathilde Rosier and Josèfa Ntjam, Anti-Nymphs stages feminist rereadings of Greco‑Roman myths. These video essays and experimental shorts foreground body metamorphosis—gender, age and vegetal transformations—centering non‑conforming female bodies that unsettle dominant imaginaries. Textural imagery, fragmentary rhythms and tactile close-ups create a liminal, often uncanny atmosphere. The program proposes a subversive mythography that remaps ancient figures through contemporary, bodily poetics.

6 – 15 March

Since 2003, FIFDH has combined cinema with the promotion of human rights, presenting socially conscious films alongside debates and discussions that engage activists, journalists, artists, diplomats, and the public. Held across multiple venues in Geneva, including the UN, theaters, museums, and hospitals, the festival showcases feature films and documentaries that highlight human rights struggles worldwide, encouraging dialogue, reflection, and action. FIFDH has welcomed Nobel laureates, renowned filmmakers, and leading voices in activism, making it a unique platform where art and advocacy intersect.

Saturday 7 March, 20:30

A screening of the documentary Identidad, which traces the journey of Daniel Santucho Navajas—born in detention and stolen during Argentina’s military dictatorship—followed by a forum marking 50 years since the coup d’état. As Argentina grapples with memory, justice and accountability in a shifting political landscape, filmmakers, witnesses and experts reflect on the fundamental rights to identity and truth, and on the ongoing struggle against impunity.

Discussions are interpreted in English and French; the film is in Spanish, with French and English subtitles.

Saturday 7 March, 18:30

Shaped by Soraya’s mobile-phone recordings, this intimate documentary follows a sixteen-year-old Afghan artist over five years as she attempts to flee Iran to join her mother in Austria. Blending handheld video, animation, drawings and sculpture, the film maps a journey of escape, song and improvised dance. It examines courage, gendered violence and the creative impulse as survival, rendered in raw textures and lyrical fragments. The result is a porous, sensory portrait of resistance and artistic self-creation.

In Persian/Dari/Turkish (original version), with French subtitles.

Screening followed by a discussion with filmmakers Mehrdad Oskouei & Soraya Akhlaghi.

Saturday 7 March, 16:00

Black Water follows Lokhi and her family as they flee a ravaged southern Bangladesh toward Dhaka. Framed with the pulsing rhythm of a thriller, the film moves from intimate domestic tension to the apocalyptic collapse of cities, observing exile, displacement and the human cost of climate change. Its cinematography favors textured close-ups and wide, drowning panoramas that trade familiarity for menace, creating a tense, elegiac atmosphere. The film’s strength lies in its restrained empathy and searing portrait of a world at the brink of submersion.

In Bengali orignal version with French subtitles.

Screening followed by a discussion with the protagonist and activist Shakila Islam.

Saturday 7 March, 14:00

A screening of the documentary Facing War, offering rare access to the inner workings of NATO as the war in Ukraine reshapes the global balance, followed by a timely debate asking: Is Europe at war? Amid Russia’s hybrid warfare, Europe’s massive rearmament and the growing fragility of Western alliances, diplomats, journalists and experts question the coherence and credibility of Europe’s political and military responses to an increasingly unstable geopolitical order.

Discussions are interpreted in French and English; the film is in English and Norwegian, with French and English subtitles.

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