22 January – 7 March

La Cuisine des Collectionneurs

La Cuisine des Collectionneurs is a convivial, evolving exhibition where contemporary art meets gastronomy. The project invites four collectors to curate walls from their personal collections. It blends scenography, shared collecting, and a collective display, extended into the kitchen through an ephemeral menu inspired by their worlds. Conceived as a living space, the exhibition unfolds with talks, meals, and gatherings over time, celebrating exchange, generosity, and the pleasure of art—on the walls and on the plate.

Rue des Bains 61
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Friday 30 January, 21:00

As part of Art Genève / Musique 2026, the Temple de la Servette presents Before Demolition, a cycle of performances exploring space in transition through body, voice, and sound. Curated by Augustin Maurs with co-curator Catherine Othenin-Girard, the program features works by Monica Bonvicini, Alicia Frankovich, Hanne Lippard with Renato Grieco, and a live set by Bonnie Banane, followed by a DJ set from Jan Vorisek. This edition responds to the impending demolition of the brutalist temple building, celebrating ephemeral, performative, and sonic creations that dismantle, challenge, and renew.

23 January – 28 February

Following the passing of Erik Bulatov, Skopia Gallery presents Hommage, a tribute to the artist. The exhibition features a selection of his paintings, including works never before shown at the gallery, celebrating his influential career and artistic legacy.

Opening during the Nuit des Bains, Thursday 22 January, frpm 18:00.

23 January – 7 March

Curated by Matthias Sohr, Reserved for Groups brings together works by Florian Fouché, Mélody Lu, Xavier Robles de Medina, Orawan Arunrak, Florian Bonny, Stefania Carlotti, Chloé Delarue, Jean-Ulrick Désert, Marina Faust, Anne Duk Hee Jordan, Thomas Liu Le Lann, Pedro Marrero Fuenmayor, Lili Reynaud-Dewar, Kyung Roh Bannwart, Philipp Timischl, Ernie Wang, and Lauryn Youden. The exhibition explores subtle interventions within existing social and artistic contexts, presenting the artists’ work while making the gallery space more accessible.

Opening during the Nuit des Bains, Thursday 22 January, frpm 18:00.

9 October 2025 – 30 August 2026

The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.

Saturday 31 January, 17:00 & 19:00

Artist Josèfa Ntjam presents A Constellation of Blackness, a hypnotic 33-minute sound-performance that weaves spoken word and instrumental improvisation. Situated within the Anti-Nymphs program, the piece reimagines Greco‑Roman myth through feminist and Afrofuturist lenses, collaging sampled fragments of twentieth-century Black voices. Ntjam invokes African mythology, ancestral rites, religious symbolism and science fiction to explore Blackness, darkness, antimatter and the sense of cosmic kinship, creating a dense, ritualised atmosphere that is both lyrical and confrontational.

Saturday 31 January, 16:00

As part of Art Genève/Art Talks, Mai-Thu Perret (artist), Théo Casciani (writer), and Clément Dirié (Editorial Director, JRP|Editions) join Christian Herren (curator, editor of the E.A.T. Index) for a conversation marking the release of three new publications: the E.A.T. Index (JRP|Editions), mapping fifteen years of conversations across art, architecture, and science; Mai-Thu Perret’s monograph Grammar & Glamour (JRP|Editions); and Théo Casciani’s novel Insula (P.O.L). The discussion delves into contemporary approaches to bookmaking, exploring archival materials, imagery, narrative, and editorial structures.

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