11 January – 19 April

Bibliopéra

Organised by the Grand Théâtre de Genève, Bibliopéra presents a series of workshop-lectures that invite close listening and critical reflection on the operatic repertoire. Each session, led by artists and specialists (pianist, singer, musicologists), explores a focused theme or work: discovery of bel canto and Rossini’s L’Italiana in Algeri; an exploration of baroque repertoire (Castor & Pollux); a creative writing workshop inspired by L’Empereur Atlantis; and a critical discussion of Puccini’s Madame Butterfly. The format mixes performance, analysis and hands-on activity to deepen understanding of style, history and interpretation.

Dates:
Sunday 11 January, 14:00 – Bibliopéra around L’Italienne à Alger
Sunday 22 February, 14:00 – Bibliopéra around Castor & Pollux
Sunday 8 March, 14:00 – Bibliopéra around The Emperor of Atlantis
Sunday 19 April, 14:00 – Bibliopéra around Madama Butterfly

In French.

Place des Trois-Perdrix 5,
1204 Genève
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Saturday 13 June, 18:00

Alejandro Vaccaro, collector and biographer of Jorge Luis Borges, appears with Alejandro Roemmers (poet and entrepreneur) and Roberto Alifano (author, poet and essayist) to present their research and collections.

The roundtable examines how collecting practices shape narratives around Borges, exploring notable objects, metonymic extensions of the writer, and the philosophical stakes of preserving literary heritage. Vaccaro will show selected items from his private collection and speakers reflect on memory, curation and literary legacy.

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In French.

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Silvia Hopenhayn, Argentine writer and cultural journalist, offers close readings of Jorge Luis Borges’s fiction and its formal strategies, drawing on her experience with Latin American literature and criticism.

She examines Borges’s short stories, focusing on character creation, paradoxes, enumerations and rhetorical devices, and argues that these brief narratives act as inventive gestures. The session explores figures like Pierre Menard, Funes and Emma Zunz and investigates how form and erudition reveal singular subjectivities.

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