Join us for the exhibition “Pach’un Q’ijul (Interwoven Times – Deep Time)” by Angélica Serech, an artist of Maya Kaqchikel heritage. Enjoy an exclusive tour with the curator and delve into her works, which connect ancient weaving traditions to her personal story influenced by the Guatemalan civil war. This exhibition highlights the connections between individual and collective memory and the interplay between textiles and humanitarian efforts.
The exhibition showcases the works of the Geneva Photography Survey laureates from 2019, 2020, and 2021, focusing on the theme of mobility. A collaboration between the Geneva Library and the Geneva Photography Center, it highlights pieces by Zoé Aubry, Gabriela Löffel, and Laurence Rasti. Their projects explore the movement of people, the structuring of migratory flows, and bodily transformations, providing a critical perspective on migration policies and societal pressures.
Opening: Thursday 30 October, 18:00
The exhibition “L’avantage du terrain” by Jan Voss at the Sonia Zannettacci gallery showcases the artist’s creative freedom through vibrant paintings and collages. Undulating shapes, intertwined lines, and assorted objects engage in an energetic and poetic dialogue, providing a unique visual experience where each element interacts in joyful harmony.
Opening during the Art en Vieille-Ville collective vernissage on Thursday, November 6, from 16:00 to 21:00.
The gallery in Geneva is showcasing the group exhibition Ce sont les fleurs qui ont changé, curated by Mathieu Mercier. This exhibition features ten artists, including Michel Blazy, Gaël Davrinche, and Bertrand Lavier, who explore floral motifs through diverse artistic approaches, ranging from organic installations to painting.
Opening: Thursday 13 November, 18:00 – 21:00
Lovay Fine Arts presents Wings, an exhibition showcasing the latest works by Sem Lala.
Opening: Thursday 13 November, 18:00 – 21:00
For his first solo exhibition in Geneva, Gregor Hildebrandt transforms Galerie Mezzanin into a poetic space of memory and transformation. Using materials such as magnetic tape, vinyl records, and audio cassettes, he reinterprets the physical traces of the analog world, turning familiar forms into sculptural and pictorial works. His installations evoke themes of transfer, nostalgia, and the fragility of memory, reminding us that remembrance once had a tangible medium. Balancing irony and reverence, Hildebrandt questions the role of the artist in an age dominated by digital reproduction, suggesting that art now resides not in direct representation of reality, but in the layered density of collective memory and desire.
Opening: Thursday November 13, 18:00 – 21:00
The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.
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