The exhibition “Sauvages” at the Cité Library invites visitors to delve into the behind-the-scenes of Claude Barras’s film. It is divided into three sections that cover the ecological and cultural aspects of Borneo, reveal the creative and production processes of the film, and immerse the audience in the filming atmosphere through never-before-seen photos and testimonials. Original documents, drawings, travel journals, sets, and figurines enhance this immersive experience.
Gianni Motti is a Swiss conceptual artist known for blurring the boundaries between art, politics and everyday life. Often working through interventions, performances and symbolic gestures, he inserts himself into real-world situations—from institutions to public events—to question power, authorship and the role of the artist. His provocative and often humorous works invite audiences to reconsider what art can be and where it can happen.
Opening during the Nuit des Bains, Thursday 12 March, 18:00
Zoe A. Keller and Batia Suter reactivate the Eranos Archive in a collaborative project that blends critical essay and photographic installation. Keller’s research interrogates archetypal image systems and proposes the concept of the “anarchetype” to unsettle fixed classifications, while Suter juxtaposes historical Eranos images with contemporary-period photographs. Together they examine ideological contradictions and heterogeneous visual encounters of the interwar archive, opening a fictional conceptual field that foregrounds the archive’s historical vulnerability and the politics of visual classification.
The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.
This exhibition pays tribute to Clifford Possum Tjapaltjarri, a seminal figure of Australian Aboriginal art and a pioneer of the Western Desert painting movement. Drawing on Dreaming stories and the ancestral landscapes of his Anmatyerre heritage, Possum translated traditional sand and body painting motifs into monumental canvases that intertwine myth, geography and memory. His richly patterned, large-scale works balance Indigenous cosmology with a striking sense of modern abstraction, affirming his lasting influence on global contemporary art.
Opening during the Nuit des Bains, Thursday 22 January, from 18:00.
Out of the Blue brings together Norwegian ceramicist Heidi Bjørgan and textile artist Kari Dyrdal in a sustained dialogue between ceramics and woven textiles. Bjørgan reworks familiar jug and vessel archetypes until they appear melted or imploded, using multiple firings and distinctive glazes to expose cracks, shifts and unpredictable reactions. Dyrdal examines memory, pattern and structure through handwoven, hand‑dyed pieces that marry traditional craft with digital processes, yielding tactile and conceptual depth.
Opening during Nuit des Bains, Thursday 12 March, 18:00.
Artisans from the Label Genève association present a group exhibition of urban works that bridges contemporary creation, craftsmanship, and technological innovation. The show brings together individual and collective pieces—furniture, objects and site-responsive interventions—that combine traditional techniques, material research and digital processes. Grounded in New Bauhaus principles of sustainability, circularity and interdisciplinarity, the works reveal demanding creative approaches, highlighting artisanal labour, experimental materials and dialogues between handmaking and technological evolution.
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