A conference delves into Hergé’s evolving perspective on Tintin and Africa, led by an enthusiast deeply engaged with the renowned author’s work. It traces the history of the controversial 1931 album “Tintin in the Congo” and examines Hergé’s intentions, shaped by the influence of abbé Norbert Wallez. The discussion seeks to determine whether Hergé was paternalistic or merely a naïve product of his time. Pierre-Yves Jetzer, a collector and expert, offers a nuanced viewpoint rooted in Hergé’s biography and body of work.
In French.
