The “Arctic Parentheses” exhibit, in collaboration with the University of Geneva, reflects on four years of research in the Arctic, highlighting the impact of climate change on this delicate region. Aboard the sailing vessels Mauritius and Que Sera, scientists, artists, and young people ventured into the vast icy landscapes, documenting its rapid transformations.
In “Yuku & Sakura,” Ladina Gaudenz celebrates nature and renewal with delicate, luminous cherry blossoms. Her pieces blend the ephemeral beauty with a sense of contemplation, revealing enchanting cherry trees on raw linen canvas.
Opening during the Art en Vieille-Ville collective vernissage on Thursday, November 6, from 16:00 to 21:00.
The International Museum of the Red Cross and Red Crescent presents the first European solo exhibition of Guatemalan Maya Kaqchikel artist Angélica Serech (*1982). Pach’un Q’ijul (Temps entrelacés – Deep Time) intertwines ancestral weaving gestures with personal and collective memory, drawing on Serech’s history shaped by Guatemala’s civil war. Using self-built looms and natural materials like corn husks and branches, her works explore resilience, repair, and the deep ties between textile traditions and humanitarian action.
The solo exhibition Ecce Femina by Philippe Reymondin is on view this fall at the andata.ritorno gallery. The artist characterizes his work as an inspired journey, with no specific justification guiding his artistic choices.
Opening: Thursday November 13, 18:00 – 21:00
The MEG, Musée d’ethnographie de Genève, showcases the immersive exhibition Afrosonica – Paysages sonores, which delves into the significance of music and sound in African societies and their diasporas. Featuring instruments, sound archives, and contemporary installations, the exhibition highlights the ability of sound to communicate, connect, convey knowledge and emotions, and evoke memories.
International artist Iris Leroyer presents OPUS CARBONE, a groundbreaking exhibition that examines the impact of human activity on living organisms. Through charcoal sculptures, paintings made from carbon-based natural materials, and installations, the work engages the public with the current ecological crisis, prompting reflection on environmental issues and our relationship with nature.
The MAH showcases Tonutopie, an innovative installation by German artist Hans-Walter Müller, a trailblazer in inflatable structures. This large, transparent, and habitable sphere, nestled within Vincent Lamouroux’s La Passerelle, offers a unique sensory experience. It delves into the contrasts between the fluidity of inflatable structures and the rigidity of traditional architecture, providing visitors with a fresh perspective on space.
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