Clémentine Galey returns with a new edition of the Bliss Show—a vibrant evening celebrating women and their stories. Joined by a fresh group of voices, this performance explores themes such as motherhood, relationships, body image, and empowerment. Blending humor, vulnerability, and collective emotion, the show offers an inspiring experience where laughter meets heartfelt resonance. More than just a performance, it’s a shared journey through the joys and challenges of womanhood.
The Brass Band des Savoie and the Ensemble Vocal Orphée, led by William Thébaudeau-Müller and Matthieu Schweyer, will perform Carl Orff’s “Carmina Burana” at Victoria Hall. Featuring Karine Mkrtchyan (soprano), Sacha Michon (baritone), and the Thoiry Children’s Choir under the direction of Anne Seigneur, this event promises an exceptional musical evening.
In a 16-square-meter studio, “She” battles boredom by dancing, singing, and playing recklessly, enjoying the freedom of solitude. However, the arrival of a stranger disrupts this balance, turning her self-amusement into a need for self-control. The performance delves into the emotional conflicts between freedom and restraint, carefreeness and anxiety, joy and anger.
In French.
Castelet is not dead, by Compagnie Arnica, presents three sharp and surreal futuristic tales that explore the strange paths human evolution might take. With AI-powered puppets like i-Guignol, a controlling robot named Poto, and a mutation dealer called Elon L’Ultrabright, the show hilariously questions our relationships with technology, identity, and transformation. Written by Gwendoline Soublin, known for her punk spirit and biting humor, this bold puppet performance revives the anarchic soul of traditional guignol while confronting today’s ethical dilemmas — all in a lively castelet set up outdoors.
In French. Ages 9 and up.
As part of the “Literate Figures of Oral Worlds” symposium and the “Afrosonica” exhibition, storyteller Dédé Duguet invites you on a journey through Caribbean tales, spanning from Cuba to Martinique, including Haiti and Trinidad. Using his “Tout-monde” storytelling staff, he will share captivating and enchanting stories. This event is organized in collaboration with the University of Geneva.
This ensemble piece, part of the trilogy “In Praise of Vulnerability,” offers a playful and queer interpretation of the character of Satan, reimagining him as a feminist liberator challenging divine tyranny. Blending humor and sacrilege, the performance aligns Satan with the traits of a bimbo, symbolizing a bold and provocative reclaiming of the body.
In French.
Cabaret en chantier, a 2025 production by TMG, invites audiences into a whimsical construction site where surprises await behind every door. Like wandering through an enchanted house still being built, visitors encounter three inventive short-form puppet pieces born from TMG’s 2024–2025 open call, along with magical “lambé lambé” boxes hidden around the venue. Blending curiosity, creativity, and play, this immersive theatrical journey celebrates emerging marionette art in all its quirky brilliance — open to all, ages 9 and up.
In French. Ages 9 and up.
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