26 – 28 March

Baby Volcano — Si Me Ves Ir con Todo, Es Porque a la Noche Lloro

Booking Required

Baby Volcano presents a hybrid concert-performance that blends visceral rhythms, immersive imagery and a bold manifesto. The new creation fuses reggaeton, baile funk, volcanic noise and layered chant into a luminous, physical refuge where celebration becomes an act of survival and sharing. Monumental, textile-based scenography reacts to sound, shaping bodies and light into an organic landscape. The piece explores collective emotion through music, movement and theatrical writing. Creation 2026; coproduction.

Place Beatriz-Consuelo,
1206 Genève
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Molière’s Tartuffe tells the story of a slick con-man who hides behind ostentatious piety to worm his way into the wealthy Orgon household. Orgon, dazzled by Tartuffe’s sanctimonious rhetoric, defends him even as the impostor’s hypocrisy poisons family bonds and pushes the household toward ruin.

Director Jean Liermier underscores how, in Molière’s work, the female characters serve as the moral compass and spark of resistance, a beacon of hope against oppression. Staged on a stark, minimalist set that exposes the family’s rigid tensions—and featuring Gilles Privat as an unbending Orgon—this production highlights the play’s continuing resonance in a world beset by egotism, fanaticism, and conspiracy thinking. The central question remains timeless: will society keep falling for Tartuffe’s brand of seductive deceit?

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11 – 15 March

When we hear the word “family,” we often think of our own. But today, with so many different models, what truly defines a family?

In this playful, child-friendly performance, Muriel Imbach explores these questions through six whimsical characters — futuristic poets who reflect on chosen families, blended families, and the invisible bonds that connect us. A poetic journey into what it means to “make family” today.

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6 – 15 March

As part of the cultural season in Plan-les-Ouates, the Puck Collective presents a historical drama based on testimonies from Burkina Faso and Switzerland. The story follows Aminata, who ventures to Burkina Faso after her mother’s passing to uncover her past, intricately linked to the assassination of President Thomas Sankara. Immersed in a popular uprising, Aminata navigates a landscape of hope and uncertainty while confronting the hidden aspects of her personal history. The performance delves into Sankara’s legacy and raises questions about the future of coming generations.

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6 – 15 March

Succès Reprise is a sparkling vaudeville that blurs the line between theatrical comedy and the comedy of everyday life. A charming love triangle performed by a tight trio of actors unfolds through rapid-fire exchanges, physical gags and shifting misunderstandings. The staging favours bright pace and playful timing, delivering light-hearted warmth while revealing awkward human impulses and social foibles. The piece leaves a lingering smile and a sense of affectionate irony.

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Harpsichordist Hadrien Jourdan offers an immersive reading of Bach’s Partitas BWV 826, 829 and 830 from the Clavier-Übung I. The programme highlights Bach’s mature synthesis of French, Italian and German styles—the gemischter Stil—where dance forms, preludes and character pieces unfold with rhetorical clarity. Jourdan’s articulation and pacing reveal both structural brilliance and quiet affect, while the music’s contrasts create intimate and expansive moments that refresh the spirit and invite deep listening to its emotional and expressive richness.

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