Apocalypses. What Did You See in Hiroshima? is a powerful exhibition curated by Nicolas Crispini, exploring the devastation and legacy of the atomic bombings through testimonies, photographs, films, objects, and soundscapes. From survivor accounts to cultural echoes and traces of nuclear tests, it confronts the enduring threat of nuclear apocalypse and asks whether humanity has truly grasped the magnitude of Hiroshima.
Guided tours organsied every Sunday, 11:00 & 13:00.
Niels Hung, a graduate of HEAD–Genève, investigates his multicultural identity through painting shaped by American and Asian visual cultures. His works—repainted canvases and mixed-format paintings—often reappropriate images found online and in the street, interrogating contemporary image production and its slipperiness. Employing layered pictorial strategies and referential iconography, Hung stages a critical dialogue that oscillates between fascination and critique. He also joined the Work.Master teaching team in 2024 and engages with questions of artistic production and the artist’s condition.
Crossed Perspectives brings together a collective of artists whose diverse practices and imaginaries intersect to explore identity, belonging and intercultural dialogue. Works by Bijan Moghbel, Fabien Bruttin, Gavin Worth, Gilles Dusabe and others employ painting, sculpture, installation and mixed approaches to examine materiality, colour and narrative. Curated by Momar Seck, the exhibition weaves contrasting techniques and personal histories into a shared field of reflection, inviting viewers to consider plurality as a living, generative force.
Beat Zoderer’s first exhibition with lange + pult in Geneva presents a new series of works inspired by the economy of haiku. In these small-format pieces, the artist translates brevity, precision, and tension into the pictorial field through grids and modular patterns. Layered, translucent colors create subtle depth and shifting perceptions, while recurring square motifs generate a restrained yet vibrant rhythm. Rooted in concrete art, the series stands out for its quiet, almost meditative quality, where meaning emerges from the balance between form, color, and visual silence.
Opening on Thursday 15 January, from 18:00.
In Atmosphères architecturales, Pascale Badaf explores early 20th-century modern architecture through painting, drawing on references ranging from Frank Lloyd Wright and Mies van der Rohe to cinematic influences. Her oil paintings transform villas, industrial buildings, and aquatic landscapes into quiet, enigmatic settings where light becomes a central narrative force. Devoid of human figures yet charged with subtle signs of presence, these carefully staged architectural scenes invite viewers to inhabit spaces suspended between realism, illusion, and imagination.
Opening on Thursday 15 January, from 18:00.
Also open during the Nuit des Bains on Thursday 22 January, from 18:00.
Following the passing of Erik Bulatov, Skopia Gallery presents Hommage, a tribute to the artist. The exhibition features a selection of his paintings, including works never before shown at the gallery, celebrating his influential career and artistic legacy.
Opening during the Nuit des Bains, Thursday 22 January, frpm 18:00.
Mobilités presents three photographic inquiries by Zoé Aubry, Gabriela Löffel and Laurence Rasti (2019–2021). Through portraiture and documentary sequences, the projects examine elective surgical transformations of the body, the surveillance and infrastructure of migration control, and the living conditions of undocumented people in Geneva. Images are paired with texts — testimonies, legal and economic excerpts — to contextualize the work and interrogate migration policies, bodily representation and socio‑economic dynamics.
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