Comedian Tania Dutel premieres a brand-new stand-up show that unveils fresh material and sharp observational humour. Her delivery blends caustic wit and warmth, moving from punchy one-liners to longer, confessional stories. The performance crafts an intimate, high-energy atmosphere where spontaneity and audience interplay shape the rhythm. Expect a concise, finely tuned set that highlights her voice as a storyteller and satirist.
In French.
Formed in Los Angeles in 2002 by singer Jesse Wagner and organist Roger Rivas, The Aggrolites blend Kingston rhythms and Motown soul into a raw, “dirty reggae” sound. After years on the road and a later hiatus, they returned revitalized with Reggae Now!, favouring an organic, old‑school approach that prioritizes live energy and danceable positivity. Expect groove‑driven organ lines, warm vocals and tight, soulful grooves. Support: Two Toners, a Geneva ska outfit.
What if bagpipes, binious, and bombardes were the perfect instruments to perform Philip Glass’s music? This bold and fascinating show takes that daring leap.
With 8 SONNEURS for Philip Glass, the iconic repertoire of the pioneering American minimalist composer gains a fresh dimension: four emblematic pieces from 1969 (Two Pages, Music in Fifths, Music in Contrary Motion, Music in Similar Motion) are reimagined by traditional Breton musicians.
The result? A striking sonic alchemy where rich timbres, the continuous drone of the bagpipes, and spatial sound transform the listening experience. Glass’s music becomes living, vibrant, almost hypnotic — proving that his spirit resonates just as powerfully through the drone of traditional instruments as through synthesizers.
An intimate theatrical evening that blends humour and reflection, Sacrée soirée stages a compact ensemble exploring rites of celebration, memory and the rituals that bind us. The direction favours precise physicality and luminous design, where shadow and music sculpt the actors’ interactions. Minimalist sets and evocative lighting shape fleeting tableaux, inviting a close encounter with the characters’ private revelations and shared contradictions.
In French.
Fiona G. brings a razor-sharp solo hour of dark, observational stand-up that mixes Swiss deadpan with Parisian stage instincts. Fluent in several languages and armed with a precise sarcasm, she navigates subjects from everyday rituals to taboo topics with a playful cruelty and agile improvisation. The piece is a work-in-progress that plays with ego, irony and timing, offering unpredictable moments that pivot between biting malice and sudden tenderness.
In French.
Created collectively by the company À l’Ouest with Guillaume Pidancet, this inventive staging reimagines Charles Perrault’s Bluebeard for families. Performed in a mobile truck‑theatre that becomes a ‘suitcase of dreams,’ the production blends playful storytelling, poetic imagery and close‑up interaction to transform a dark tale into a gentle exploration of curiosity and trust. The intimate ensemble features Pierre Boulben, Hugo Braillard and Loubna Raigneau.
In French.
Under the dual leadership of Sergey Ostrovsky, who conducts and performs as violin soloist, this closing concert presents Johannes Brahms’s Violin Concerto, Op. 77, alongside Felix Mendelssohn’s Symphony No. 3, Op. 56 “Scottish”. The program juxtaposes Brahms’s warm, introspective lyricism with Mendelssohn’s sweeping, evocative landscapes, offering a journey from intimate soloistic detail to full orchestral grandeur. Expect finely shaped phrases, radiant string tone and dramatic contrasts that highlight both virtuosity and poetic depth.
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